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Our Assessment:
B+ : complex, and tough going, but often very fine See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Dedicated, ambitiously, "to the glory of God" Murray's slim, dense collection is a heap to grapple with.
The tripartite collection begins and ends with brief sections of four poems each.
The centrepiece has forty poems, and comes with its own heading, amending the book-title to read: Presence: Translations from the Natural World.
This long middle ground examines all aspects of the natural world, from Mollusc to The Octave of Elephants, from Cell DNA to Shoal.
Irritably we unshell, into feathers; we lean open and rise and magnify this meat, then that, with the eyes of our eyes.When he wants he can artfully convey an image ("the rebound heat ribbing up vertical rivers of air" from the same poem). Frequently, however, there are more layers to it, deeper to dig. The language is varied and consistently remarkable; Murray commands both high and low to good effect. The themes are large ones: Murray is a religious poet. He is also distinctly Australian -- especially in his vision and imagery. It is an unusual mix, but Murray pulls it off. Even his sentiment, such as in Home Suite ("Home is the first/ and final poem/ and every poem between"), sounds convincing. "(N)othing is apart enough for language", he concludes in closing the Presence sequence. His poems seem proof and vivid illustration. Tough going, and not easily approached these are nevertheless very worthwhile poems. A fine collection, though it might defeat as many readers as it convinces. - Return to top of the page - Translations from the Natural World:
- Return to top of the page - Australian poet Les Murray was born in 1938. He has written numerous poetry collections, as well as two novels in verse. - Return to top of the page -
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