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Our Assessment:
B+ : fine, broad novel of its time and place See our review for fuller assessment.
(* review of another translation) From the Reviews: - Return to top of the page - The complete review's Review:
Lucky Per is Nobel laureate Henrik Pontoppidan's classic novel of late nineteenth century Denmark, first published in several installments between 1898 and 1904 (and, astonishingly, only now available in English translation).
Here Pontoppidan sets the staid, agrarian and religiously conservative culture against the forces of modernity, with rapidly modernizing Copenhagen increasingly in tune with the rest of Europe.
His protagonist is Peter Andreas Sidenius, who comes from a prominent clerical family -- and distances itself as soon as he can from it, preferring 'Per' to his given name, and rarely admitting to any connection with the widespread Sidenius clan.
Per is presented as, as one character describes him: "the prototype of the active man of the 20th century" -- but Pontoppidan's novel is not a simplistic one of modernity triumphing over outmoded tradition; Per's path, triumphs, and failures offer a far more nuanced view of these changing times.
he felt himself a stray alien in conventional society. His countrymen seemed merely like self-righteous Sideniuses, whitewashing the earth's glitter and glory with their petty bourgeois sense of duty and their arrogant Pharisaic scorn.Per, meanwhile, has great and grand ambitions -- wanting to revel in and reveal all that glitter and glory. He certainly doesn't lack self-confidence: For he knew now he was born to become, in his domain, the morning horn-herald, the path-breaker in this sluggish society of thick-blooded sons of pastors and sextons. Little Ivan was right. This world was waiting for him -- just for him.Per's youthful dream is an ambitious engineering project, on a national scale, an expansion of Danish canals and harbors that would facilitate greater commerce and ease transportation of goods (what amounts to a transformation that would fully tie Denmark into the international capitalist system of the times). He has a grand vision, even if his engineering isn't quite up to it, certainly at first (and one of the weaknesses of the novel is how unconvincing Per's engineering skills are: he barely attends school, and it's hard to believe he ever learned enough to tackle such a huge undertaking; at least Pontoppidan realistically has him fall on his face regarding the details a few times). Most of Lucky Per deals with the time when Per is in his early twenties, seeking to establish himself and to put his grand idea into practice. There are ups and downs with that, but it is something he continues to pursue, eventually also traveling abroad for a time to study similar large-scale projects elsewhere. He is not always taken very seriously, but also not readily dismissed; typically, those who meet him aren't quite sure just what to make of him: "What kind of a man was that ? Good God ! He slammed the front door so hard he knocked down a piece of the ceiling plaster ! What kind of a man is that, I ask."Per certainly wants to shake things up, and if not always immediately successful, he does make an impression. Per is also one of these people who seem to be born under a lucky star. He struggles some, occasionally, but for the most part stumbles from one bit of good fortune to the next, whether it's the friend who commits suicide and leaves him some money to the heiresses who fall for him. (Pontoppidan shows some wicked humor with some of this as well, as for example Per eventually meets a sister of the suicide, who is touched by the flowers she found on her brother's grave, and certain Per left them there -- while Per in fact doesn't even know where the poor slob is buried.) Per also goes through quite a few women, eventually finding favor with the girls from the Salomon family -- first temptress Nanny, then the more sober Jakobe, whom he eventually becomes engaged to. As with many things, Per is ambivalent about his attachments. Aside from his feelings -- which tend to be of the flighty sort, bouncing back and forth and all around, depending on circumstances -- there are all sorts of other considerations, not the least of which is that the Salomons are Jewish. Per is also always tempted by great wealth -- which the Salomons have -- but also mulls over things like Jakobe's age (she's slightly older than he is). It is a peculiar dance that Pontoppidan presents between Nanny, Jakobe, and Per, involving also various other suitors (and, eventually, Nanny getting married) as well as a pregnancy; if not exactly a cad, Per certainly remains ... unsettled as to what woman he wants at his side (beyond the moment -- it's enough for a pretty lass to show up somewhere and immediately: "Per started to look more carefully at the pastor's daughter", etc.). While Per disassociates himself from his family, rarely admitting to the Sidenius-family-connection, he can't entirely break the bonds to it. He returns home to his father's deathbed, and occasionally meets family members in Copenhagen; the death of his mother, then, also leads him further back into the fold. Per's is not a blind rush towards the modern and new, casting off all that holds him back: realistically, Pontoppidan finds that old ties still do bind, too. Indeed, Per repeatedly finds: "he was leading a double life", in various variations. Lucky Per is a long, wending novel that is both Bildungsroman, of a self-absorbed but ambitious young man trying to find his place in the world, and a mirror and judgment of Danish society and circumstances at a time of great social and cultural upheaval. It is set in a period when that: "European wave of culture [...] swept over the country". Many prominent real-life figures of the time appear, thinly disguised, and representatives of many parts of society -- journalists, clerics, artists, bankers and industrialists -- figure in the story, making for a broad picture of Denmark at the end of the nineteenth century, with especially Copenhagen now in "the rank of the world's greatest cities", where everything "became every day, more European". Per is an interesting figure, ambitious but also fickle; he is very lucky, in many respects, but as he was warned early on: especially the lucky are the most unlucky, and this can well be a man's lot particularly in our day. In nine-hundred and ninety-nine of every thousand cases, we lack the capacity to make good use of luck so that it becomes more gain than loss. And in our age, we have not learned to trust the marvelous -- that's it. We feel, at the table of Luck, like a peasant at a King's banquet.And so Per is, indeed, a figure of his times. With its considered portraits of many of the secondary characters -- particularly several of the female figures -- Lucky Per is also not entirely dominated by its protagonist. Pontoppidan weaves a complex, big picture; occasionally he overextends himself, leaving some looser threads, but on the whole this is a fine and often fascinating work of fiction, both as character-study ("I am only myself", Per claims, even as he tries to figure out who exactly that might be) and novel of its age. - M.A.Orthofer, 23 June 2011 - Return to top of the page - Lucky Per:
- Return to top of the page - Danish author Henrik Pontoppidan lived 1857 to 1943. He was awarded the Nobel Prize in Literature in 1917. - Return to top of the page -
© 2011-2024 the complete review
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