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Our Assessment:
A- : brief, deceptively light and effective pieces See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
These are uneasy pieces, three brief examples of Patrick White's art.
They seem almost effortless, the words coming so naturally, the sound so right, White always in complete command of his art.
I would like to believe in the myth that we grow wiser with age. In a sense my disbelief is my wisdom.Always the realist, White is accepting of what he must come to terms with -- though he can't pass up a touch of the sardonic, and of the touching. He ends with a prayer, a wish: "O Lord, dispel our dreams" ..... The second piece, Dancing with Both Feet on the Ground is slightly longer. It looks at: "The un-reason of the past and even more the now." The narrator is old, and still he dances, in his kitchen. It is a scene of dilapidation -- the dishwasher no longer works, there is a mess on the floor, on his bathrobe. But there is still a power within, that keeps him moving, dancing "almost without knowing it". He remembers also a scene from youth, in a snow-bound European Schloss, another dance. Past and present come together: "Is it now or then ?" he finds himself wondering. It is again the details -- the sentences, the asides -- that succeed best in this trimmed, half-dreamy piece. Finally, there is The Age of a Wart, which also ranges from youth to old age. The narrator, as a child, gets a wart from friend Bluey Platt. Bluey isn't particularly likeable, yet he touches something in the narrator -- perhaps both the ugliness and the intimacy suggested by the passing disfiguring wart. The blemish goes away, but the narrator's hope -- that with it he is "shaking off some of the hold" his classmate has on him is disappointed. Life changes: Blue leaves school, the narrator and his family head off to England (the narrator's life, as in the other stories, is a near-parallel to White's own). "Nothing to the war years", he can write. The narrator can't forget Blue, and comes close to crossing paths with him again and again -- but Blue (like the memories, like the wart) remains elusive. Times passes, quickly to its ravaging end. Only in old, old age, the mind already going, does the narrator then find some release and understanding. The piece is beautifully rounded off. White is a grand stylist, the writing deceptively simple, full of short, crisp sentences, but adding up to so much more than many manage in much bigger fictions. Three Uneasy Pieces is full of restraint. So famous for his long novels, White here can hold back and do just what is necessary. It works well. They make a fine, touching read - Return to top of the page - Three Uneasy Pieces:
- Return to top of the page - Patrick White (1912-1990), Australian author. Winner of the Nobel Prize for Literature in 1973. Schooled in England (at Cheltenham, and King's College, Cambridge). His first novel Happy Valley was published in 1939. Worked for R.A.F Intelligence during WWII, after which he returned to Australia. - Return to top of the page -
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