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Our Assessment:
B : entertaining, period-revealing hotel novel See our review for fuller assessment.
Review Consensus: - Return to top of the page - The complete review's Review: Chowringhee is narrated by (the somewhat confusingly named) Shankar. He lost his promising job as the: "last clerk of the last English barrister of the Calcutta High Court" when his employer died, but a private detective he had come to know at the law-offices helps him out, getting him a position at the Shahjahan Hotel -- "a class apart" even among the city's finest establishments: It was incomparable. It wasn't so much a building as a mini township., The width of the corridors would put many roads, streets and even avenues to shame.Hotels make great microcosms, with both a stable cast of characters of staff and management, and then the constantly changing cast of visitors. (Interestingly, Sankar ultimately chooses not to present the hotel as a true unchanging bastion: by the end the turnover has been almost complete, with everyone from the manager to Shankar having left the building.) Hotels have long been obvious settings for novelists: as someone notes, even in India: "At least a dozen novels about hotels are written in this country every year". A character here observes to Shankar: Really, what an interesting job you have. You get to meet so many different kinds of people ... now I understand why English novels are so absorbing when they're set in hotels.Like Vicki Baum and Arthur Hailey, and many others before and after him, Sankar uses his setting to present a larger picture of a time and place -- here: Calcutta, around the late 1950s. Independence (1947) and partition are not too long past, but Chowringhee is set in a forward-looking present, with the focus kept on the personal and, to a lesser extent, social, and the political rarely intruding. So, for example, the mention of the communist takeover of China is presented only couched in terms of the country suddenly no longer being part of the hotel-entertainer-circuit: The world had become much smaller these days, an enormous mass of land named China having been wiped off the cabaret map.Under his manager, Marco Polo, and superior, Sata Bose, Shankar soon becomes an important cog in the hotel's well-oiled machinery. He chronicles his experiences, and this works quite well as both an account of day-to-day life behind the scenes in the hotel as well as in some of the more detailed personal stories he offers, of those he comes to know better, such as one of the headline entertainers (and her dwarf-companion). The personal stories tend to have a tragic touch to them -- occasionally close to melodrama -- but the advantage of the bustling setting is that there are so many distractions that Sankar (and Shankar) can't dwell too long on any single sad story. The hotel is, of course, a place of illicit rendezvous and more generally one where guests hope to be freer than elsewhere. When too much chaos breaks out and the police have to be called, they too have to be wined and dined -- for free --, a bribe to avoid the bad publicity of police reports. An issue that frequently comes up is the availability of alcohol, as there are 'dry days' that have to be kept to -- which few guests appreciate: Kurt had never heard of such a thing in his life. 'You mean to say you're completely dry for a whole day ?' he exclaimed. 'You deliberately cripple normal life in India for a day ? And you mean to tell me that your country is going to start an industrial revolution in this manner, with leftover ideas from the last century ?'Female figures do slightly worse in Sankar's world. He's not unsympathetic to their circumstances, but presents a world where, as Bose tells Shankar: Don't you know the yardstick of modern civilization ? In today's world man is measured by his bank account and a woman by her figure: 36-22-34, 34-20-34Chowringhee is a fine panorama-novel of this time and place and circumstances. There's a good blend of passing characters and ones whose fate the reader becomes more invested in, with even the helpful private detective cropping up repeatedly in the story. It is a 'hotel-novel' that doesn't quite transcend the genre (as, for example, Vicki Baum's 1929 novel, later filmed as Grand Hotel, arguably does), but does offer an interesting picture of the Calcutta of that time -- and some quite well-told stories and asides along the way. - M.A.Orthofer, 21 July 2014 - Return to top of the page - Chowringhee:
- Return to top of the page - Bengali author Sankar (শংকর) -- actually: Mani Shankar Mukherjee (মণিশংকর মুখোপাধ্যায়) -- was born in 1933. - Return to top of the page -
© 2014-2022 the complete review
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