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Our Assessment:
B : fairly powerful, but satire of the sort that's become too familiar for this kind of story See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Story of the Madman begins with a particular sad and sorry madman, only around thirty years of age, reduced to running around naked; the rest of the novel recounts the story of how he -- and the society he is part of -- came to this.
Indeed, this is a novel describing the larger madness that has befallen this country and its citizens -- and, especially, the many who come to power and abuse that power, with horrible consequences for the population.
the start of an endless period of tears and suffering that continues stillSet largely in the 1980s, the story focusses on seventy-year-old Zoaételeu, and two of his many, many sons, the favored Narcisse and Zoaétoa. Narcisse is not quite a black sheep, but he prefers city life to that at the huge family compound. He does let himself get married off, according to his father's wishes, to an extremely ugly woman, but also has a girlfriend whom he uses to get close to power (while also trying his best to remain out of sight). As happened three decades earlier, Zoaételeu is arrested for no good reason. The new regime figures it can dispose of him in a show trial (the main charge against him being that he has practiced sorcery), with his death sentence already a foregone conclusion. But things don't work out quite that way -- for one, because regimes are short-lived in this country, with an apparently endless loop of one vicious kleptocracy succeeding the next. Repeatedly: As usual, what was expected did not occur. Or rather, events unfolded in a way that surprised everyone. And yet the turmoil in the other African countries previously colonized by the former colonial power should have done away with any remaining illusions. But tragedies only happen to other people, as everyone knows.Beti presents this unpredictability -- not far removed from irrationality -- nicely. And, yes, it's all madness: It is also true that the spiral of fury and madness triggered by independence created an inhuman climate that precious few were able to resist. The population of madmen that haunts the streets of our cities and who all have tragic stories similar to this one bears witness to that fact.There are some colorful characters -- including the strong-willed patriarch Zoaételeu, who tries to hold onto his old ways and expectations (making for amusing exchanges when he deals with the modern authorities), or the two lawyers that spar at the trial, one in way over his head, the other sprinkling Latin phrases into his speech -- and both fine comic scenes and some serious political and sociological commentary. Still, much of this sort of satire has become very familiar, and it can seem to be not much more than a variation on what is found in a great deal of the African fiction of the past few decades. Beti has a nice touch with some of this, but it is not tightly written enough to be a complete success. This volume includes an interview with Beti conducted by Patricia-Pia Célérier; both that and her Afterword are useful complementary material. - M.A.Orthofer, 25 May 2010 - Return to top of the page - The Story of the Madman:
- Return to top of the page - Mongo Beti (actually: Alexandre Biyidi-Awala; 1932-2001) was born in Cameroon and spent much of his life in exile in France. - Return to top of the page -
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