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Our Assessment:
B : solid little piece of pulp, with a nice subversively humorous undertone See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Published in 2006, Zift is a product of the post-communist era, but, billed as Socialist Noir in its English translation, it is set firmly in Bulgaria's previous eras.
The story is narrated by Lev Kaludov Zhelyazkov, better known as 'Moth', and it begins in the late 1963, on the day he has been released from prison after serving some two decades for a murder he did not commit.
Immediately, he tries to catch up with his past -- in particular Ada, the woman he left behind -- and the past catches up with him.
We fell quiet, as if each of us had started counting silently to infinity. All of a sudden the doorbell rang, then it rang again, and I gave her a questioning look.The entire novel is a pastiche of pulp, with borrowed plots (from the 1950 film D.O.A. to every hardboiled black-and-white noir they ever made, it can seem) layered one on the other. Moth is the epitome of the noir hero, the weary, philosophical loner who briefly gets the woman but has to deal with double-dealing all along the way and who, even if he gets the last laugh (of sorts), can only take limited pleasure in that. As he describes his nickname: The moth -- just imagine how it flies: not flying, really, but zigzagging erratically. If you try to sketch a moth's flight, you will end up with an unintelligible drawing. My life paints a similar picture -- anyone's life, really.Jailed during the Second World War, as Bulgaria was in complete political turmoil -- the botched robbery takes places around the time of the death of Tsar Boris III, which led to the coup by the communist Fatherland Front in 1944 --, Moth missed Bulgaria's transition into a workers' state and, while he was certainly criminally-minded before, he never took the turn Slug did; indeed, jailed during this entire period he clearly is meant to be presented as having stayed, in a way, 'pure.' (The date of the crime is, however, the most problematic part of the book: it seems unlikely that the communist authorities, once they had consolidated power, would have left him jailed for two decades: he would surely either have been summarily executed, or released much sooner (having done nothing worse than murder some bourgeois jeweler) .) The zift of the title is a piece of bitumen Moth likes to chew on; it's among the few possessions that he can reclaim as he leaves prison. As he notes at one point: "Mummy" comes from the Arabic for zift -- black bitumen, a powerful resin with embalming properties.For all its properties -- his piece of zift is just as good now as it was all those years ago --, time hasn't stood still while Moth was in the slammer, and if the triangle of characters is still the same, they've shifted shapes and essences in the meantime. You can't go home again, and past is past -- but none of the three can quite let go. Todorov offers an amusing sort of Eastern European super-noir -- the genre boiled down to its essences, and then every one of these used in shaping this variation on all the themes and tropes. It's amusing to see the borrowings in the new setting, and it's quite an accomplished novel in that sense alone, as his feel for American noir is better than that of most Europeans. Like most noir, Zift is rushed and simplistic and over-the-top, too -- but it's still a solid little piece of pulp, with a nice Bulgarian spin to it. - M.A.Orthofer, 17 September 2010 - Return to top of the page - Zift:
- Return to top of the page - Vladislav Todorov (Владислав Тодоров) teaches at the University of Pennsylvania. - Return to top of the page -
© 2010-2011 the complete review
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