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Our Assessment:
B : a bit too obvious, but has its appeal See our review for fuller assessment. The complete review's Review:
Not Out of Hate is set in Burma in the 1930s, when it was still under British rule; by the end, however, the British have been driven out, and the Japanese have begun their occupation.
The story centres around Way Way, still a teenager when the story begins.
Her mother abandoned the family years earlier and became a nun, and as Way Way's other siblings have married and moved on with their lives she is the only one left to care for their somewhat sickly father.
Because she had to shoulder greater responsibilities she could not finish school, as she would have liked to, but her devotion to her father is great and she manages, given the circumstances.
Way Way was never allowed to make her own decisions and had to be careful not to oppose U Saw Han. She knew she had to go along with whatever he thought, no matter what. It was as if this were his little kingdom and he was the supreme ruler. She had to like whatever he happened to like, and dislike whatever he happened to dislike. He dominated her body and mind, her thinking, her whole existence.In his paternalistic over-protectiveness -- and particularly his unwillingness to let Way Way decide or do anything herself -- he crushes the spirit out of her and eventually kills her. Yes, there's no subtle symbolism here. Typically: "So great was U Saw Han's desire to get her well that he gave her no freedom at all". It does not work out well for either of them, and the comparison to the relationship between England and Burma is fairly straightforward and obvious, Ma Ma Lay suggesting things worked out exactly the same there. This isn't a particularly novel romance -- with its overbearing if well meaning husband and submissive and misguidedly dutiful wife --, but it is competently done. Some of the characters may seem somewhat extreme -- Way Way in her dutiful obedience, U Saw Han in his obliviousness to both what his wife needs and to Burmese tradition -- but the remaining cast of characters -- Way Way's family, in particular -- makes a solid supporting cast. Domestic politics, in which Way Way's brother is involved, are also brought in -- and the collapse of English rule nicely overlaps with U Saw Han's expectations and hopes all being dashed. The supporting material is of some interest, though beyond the useful footnotes most aspects of the novel are so obvious that there is little need for much of a gloss. Still, Robert Vore's Afterword, comparing the novel to Orwell's more familiar Burmese Days, is helpful. An interesting picture of colonial times, Not Out of Hate contrasts local and foreign culture particularly well, and even if it feels like Ma Ma Lay is using a sledgehammer to drive her message home, the harm even the best-intentioned paternalistic colonialism causes is certainly effectively conveyed. Rather dark and sad, and very obvious in its allegorical intent, Not Out of Hate remains an interesting document, and a decent (anti-)romance. - Return to top of the page - Not Out of Hate:
- Return to top of the page - Burmese author Ma Ma Lay lived 1917 to 1982. - Return to top of the page -
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