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The Subsidiary general information | review summaries | our review | links | about the author
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Our Assessment:
B : neat idea; limited text See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Subsidiary is an attractive volume of close to two hundred pages, but the narrative itself probably doesn't add up to a a total of more than two thousand words.
The author has chosen an interesting conceit -- or gimmick --, presenting his stories in the form of a series of stamped messages, using the kind of stamps used in offices (URGENT; FIRST CLASS MAIL; etc. -- though also with more elaborate text, of up to about a dozen words).
I INTERRUPT MY DAILYHe stamps, in these brief message, what happens -- as, creepily, the outage continues for several June days in 2008 (there are date stamps too, of course). The atmosphere is dark and unsettling -- the office on the one hand neat and orderly (as in the stamped text, already much more stable and permanent than anything handwritten or even computer-typed: "To be safe / they went back / to seals / and rubber stamps" the narrator points out), yet now also unmoored. A variety of employees who are, in some way, not whole -- blind or deaf or dumb; missing limbs or appendages -- compounds the feeling. The story is a dark one, too, fairly effectively built up and followed through in this minimalist presentation. Still, the conceit/gimmick isn't really exploited to the fullest. There are some very clever touches -- a two-page spread stamped randomly all over early on, expressing only: TEDIUM -- and it also works very well when the stamps are more formal, familiar ones, including, for example, a CANCELED stamped across another message. But most of the text is simply text, summary expression in stamped form; Celedón does enough with this -- including in the placement of the stamps on the page, or a change of ink-color, for example -- but it's hard not to feel that he could have done a lot more. An arresting, disturbing little tale that relies both too much and too little on its gimmick. - M.A.Orthofer, 2 September 2016 - Return to top of the page - The Subsidiary:
- Return to top of the page - Chilean author Matías Celedón was born in 1981. - Return to top of the page -
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