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Our Assessment:
B : often silly and already somewhat dated, but written with a lot of verve and makes some points of interest See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Camille de Toledo's essay dates from 2002, but his bracketing of an 'end of history' in that space between the fall of the Berlin Wall in 1989 and the attacks on New York and Washington D.C. in 2001 is plausible enough.
As he notes, Francis Fukuyama already proposed it earlier in 1989, and for a while, as the former Soviet bloc converged with the West, there was a sense of that in the air.
History has since come back, with a very different sort of vengeance, but Coming of Age at the End of History is still an interesting document of the times.
My goal in setting out on this exploratory mission into its invisible architecture has been to try and understand how revolt has been neutralized and how in our resulting helplessness -- since there are apparently no other options open -- we seem condemned to seek shelter in irony.Apparently the status quo will not do: if he can't have history advancing, Toledo at least insists on revolt. But while he has a point about how it often seems that everything has been co-opted by today's (or at least yesterday's) global capitalism, he's a bit too enamored of revolt for its own sake: "I'm totally ready to throw Molotov cocktails," you said to yourself after class, "but at whom ?"At least Toledo tries to take a stab at diagnosing what's wrong (and who the proper targets might be), offering also lots of literary and cultural allusions, demonstrating how widely-read he is. Some autobiography also comes into play, as he describes his very rebellious youth -- much of which sounds like rather desperate acting-out, and which, to his credit, he doesn't present as something to be taken very seriously. Significantly, too, -- though he only acknowledges this in an Epilogue -- the man-child calling himself 'Camille de Toledo' isn't just a son of privilege, but rather a son of super-privilege, an extra-textual fact that can't help but colour his arguments, and makes it all the harder to take them entirely seriously. (To exaggerate slightly: the anarchist who can, at essentially a moment's notice, become a multinational-corporate magnate will always lack credibility, and even if Toledo claims to have burned those bridges it's hard to completely believe him.) Its focus on this particular time is both one of the limitations of the book, as well as its strength. Toledo has read a great deal but he hasn't experienced much else, and so his focus on this as such a pivotal transitional era looks very limited -- all the more so since the world and a variety of the conditions he discusses have continued to change since that time. Yet within his limited view Toledo offers a fairly interesting discussion, and stylistically it's also quite appealing. An interesting document of the times -- though very much of the times. - Return to top of the page - Coming of Age at the End of History:
- Return to top of the page - French author Camille de Toledo (actually: Alexis Mital) was born in 1976. - Return to top of the page -
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