A Trying to meet all your book preview and review needs.
to e-mail us: support the site |
The Women Are Up to Something general information | review summaries | our review | links | about the author
- Return to top of the page -
Our Assessment:
B+ : fascinating figures; fine intellectual(+) history See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Benjamin J.B. Lipscomb's The Women Are Up to Something focuses on a quartet of Oxford-educated philosophers -- Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch -- and looks, in particular, at their work in the field of ethics, turning away from A.J.Ayers' emotivism, a view of ethical discourse -- that it is literally meaningless --, and relating ethics more closely to real-world experience.
They were at the leading edge of the psot-Great War baby boom, as the war's survivors were demobilized, returned home, and started families.Despite different backgrounds, this certainly influenced them -- as then did, much more profoundly and immediately, learning of the atrocities committed by the Nazis in their death camps when these were liberated at the end of the Second World War; as Lipscomb writes of Foot: "Nothing in the moral philosophy of her time was adequate to what she'd just seen". All four also came to and studied at an Oxford increasingly depleted of men as the Second World War progressed -- an opportunity both for female voices to be more readily heard, as well generally getting more (academic and other) attention in the absence of the male students who usually dominated the university. As Lipscomb writes of, for example, Mary Midgley: She concluded later that she had found her voice as a philosopher only because there were so few men at Oxford at the moment she began to study philosophy. She suspected that the same was true of her friends Foot and Murdoch.(Anscombe, probably the most brilliant of the bunch, seems likely to have found her path regardless -- and her entire career was, of course, marked by her devotion Wittgenstein (which extended to her being: "buried next to Wittgenstein, as she had requested").) The Women Are Up to Something is fascinating alone for this glimpse into this particular period in academia and beyond -- with Lipscomb then also noting the shift back to a male-dominated culture after the war -- and it serves as a good reminder of how important opportunity is, and how often it is denied. The four women and their lives (and thought) also make for a good and important story, with Anscombe and Murdoch, in particular, quite the characters. The Women Are Up to Something does have something of a four-part -- rather than truly collective -- biography to it, as the women's paths did go off in very different directions, with even their most important philosophical work coming at different points in their lives: Consider: by 1960, Anscombe had not only said her piece about Oxford moral philosophy but had also published both of her monographs. Foot had established herself as Hare's preeminent critic, and Murdoch was already turning away from philosophy and toward fiction; but the first of Midgley's 16 books was 18 years away. It is easy, then, to miss the generational tie between Midgley and her friends.Oxford -- and the shift in (moral) philosophy there -- is the (turning) point that unites them in this work, and while they maintained friendships -- in some cases very close ones, at least for a time, and otherwise with ups and downs -- over the years, they certainly did go very separate ways. Lipscomb juggles the four lives and their courses quite well, pointing out the connections in a way that maintains some sense of a bigger, more unified picture. Sensibly, however, especially in the later chapters, he keeps the focus on one of the women at a time -- and it certainly helps that they led such fascinating lives, from the always determined and quite militantly devout Anscombe, focused on what mattered and admirably able to ignore what didn't (like the mess that naturally came about in a household with seven children) to late-bloomer -- at least in the final, professional instance -- Midgley. The most familiar figure is, of course, Murdoch, and because of that Lipscomb isn't quite as expansive about her, but he still keeps her an integral part of the story, and his focus on her philosophical interests -- and her later feelings of inadequacy about her own philosophical writing -- is, after all, often overlooked in the general focus on Murdoch-as-novelist. The women's mentors and the relevant philosophical schools and disputes of the times are also quite well presented. About the philosophical issues in general Lipscomb offers a solid overview, and is particularly good on tracing, at least in outline, the shifts over time -- the schools of thought, at Oxford and elsewhere, including their perceived stature and crowding-out of other paths, for example, and some of the reactions thereto. He does not go into great detail even about some of the women's notable and relevant work -- Foot's (in)famous 'trolley problem', for example -- but does discuss quite a bit in good detail. In many ways, The Women Are Up to Something is at its most interesting in its discussion of the attendant circumstances, beginning with Oxford having so many fewer male students during the Second World War, but also everything from the women's often demanding family and personal lives (though Anscombe, for one, seems to have handily -- if with a very free hand -- juggled her large household), to the often limited career opportunities, rather than the philosophy itself. Lipscomb seems a bit overwhelmed at trying to get a handle on especially Iris Murdoch's intimate involvement with so many close to her but he gamely gives it a go; there's probably more to be said about relationships, both between the women and also beyond, but he gives a decent sense of various goings-on and some of their consequences, such as in his description of Foot's friendship with Anscombe in the late 1950s. The work in ethics by these four philosophers (and some of their mentors) does not make up one neat block, but the various pieces are presented well enough and make for an interesting contrast to the very impersonal Oxford school. The title is taken from part of the reaction to Anscombe's protest against the awarding of an honorary doctorate to Harry Truman, a nice example of much that Lipscomb manages to convey in this volume, from Anscombe being misidentified (as 'Gladys') by United Press and with headline writers in the US seemingly: "most interested in the fact that she was a woman" -- but also Anscombe proving herself: "the worst imaginable political organizer". Nevertheless, the Oxford administration went to pains to make sure enough people came to the assembly which approved such degrees: "The women are up to something," some were told. "We have to go and vote them down."If something of an in-between work, neither quite collective biography nor entirely philosophical history, there's enough of both to make The Women Are Up to Something worthwhile. Both the circumstances -- especially the wartime-Oxford the women attended -- and the fascinating characters make for a great story, and the philosophical angles that touch on so much of this are also of considerable interest. The Women Are Up to Something is certainly a good read, and a fine work of intellectual history (and a bit more) that will surely leave many readers wanting to know even more about the women, their work, and 1940s Oxford. (Among much else: obviously, there is a need for a full biography of Anscombe -- what a woman !) - M.A.Orthofer, 1 December 2021 - Return to top of the page - The Women Are Up to Something:
- Return to top of the page - Benjamin J.B. Lipscomb teaches at Houghton College. - Return to top of the page -
© 2021-2023 the complete review
|