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Our Assessment:
B+ : rich, creative exploration of human desire(s) See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Woman in Darkness is a novel full of assumed and hidden identities: baptized Segismundo (dad was a psychoanalyst ...), one character changes his name to Guillermo; the woman he marries, the American Nicole, reinvents herself as Olivia when she finds herself literally unable to leave Spain.
Guillermo takes a lover, Marcia -- knowing: "It is a fake name"; it later emerges that her real name is Julia.
Even the central character, Eusebio, repeatedly misrepresents himself -- in the world of online chatrooms (an almost entirely pseudonymous world, in any case) but also, on occasion, beyond, including going so far as to pretend to be Guillermo in letters to 'Marcia' after Guillermo dies in an accident and Eusebio has become Julia's lover.
He repeats it to himself again: he is a happy man. But what he feels is panic. Time marches on, vegetables rot. Eusebio longs to stop thinking -- to be mineral. Device, machine, cog -- that is true happiness. He bites into the pumpkin -- it has a sour flavor. His gums are bleeding. Heroism: to taste the life acclaimed by poets, a life of sharpness, of urgency, of rage. To feel another, more morbid happiness -- crime, excess, debauchery.Eusebio wealth gives him dangerous freedoms. Not content with his perfect relationship with Julia as it is, he obsessively follows her (cautiously, and in disguise) whenever she goes somewhere on her own, as if hoping to find her betraying him in some way (even as she never is). Not satisfied with mere chat-room chatter, he hires a private investigator to dig into the lives of some of those he encounters there, and he uses what he learns to explore more, on his own terms and to his own ends. His world becomes one of increasing depravity, estranging him from Julia. That redemption can only be found in abasement (and that there's someone out there willing to provide that) doesn't come as too much of a surprise -- though how far Eusebio sinks before it comes to that might be. Woman in Darkness is a dark novel of shattered souls and lives. Unspeakable acts are committed -- fairly decorously presented by Martín, yet no less horrifying for that (the novel is emphatically not for the prudish). The English title feels a bit off the mark: it is Eusebio who is, or falls into, darkness (of the blackest sort); the woman -- Julia/Marcia -- is more shadowy figure than one completely obscured. This is an uncomfortably well-written novel, the contrast between its tone (and Eusebio's easy life) and the dark realities particularly effective. Death sets the stage early on, with casual mentions of Eusebio having been orphaned by the time he was sixteen, and the losses Nicole/Olivia suffers, the first driving her into Guillermo's arms years earlier, the second ripping her from them. Sexual excess and debasement is also in the air from early on, though Guillermo's death cuts that short. Eusebio's own descent into depravity begins only with temptation -- an underage girl offered to him by her pimp -- which he can still resist, but eventually he can no longer restrain himself, tumbling to the book's inevitable conclusion. Woman in Darkness is unsettling, but it's well-crafted and well-written, a disturbingly easy read. - M.A.Orthofer, 11 February 2015 - Return to top of the page - Woman in Darkness:
- Return to top of the page - Spanish author Luisgé Martín was born in 1962. - Return to top of the page -
© 2015 the complete review
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