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Our Assessment:
B : good bookish fun See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Books has a killer-book premise.
Literally: a book that kills, and not because of some supernatural curse attached to it (à la Ring-video) but simply because of its utterly dreadful, life-draining mediocrity.
Its author is Gary Sayles, leading exponent of the 'male confessional', the book his latest, The Grass is Greener, his fourth after three bestsellers.
The success of his mindless books has rather gone to his head, and he has great plans and ambitions for it (and for himself), unaware of the lethal effects of his writing -- just as he has become oblivious to most everything else.
Art is a commodity. It has no significance beyond the sales pitch, no consequence beyond the cash. It performs no function. There is nothing beneath the surface.The vacuous Sayles, representative of popular fiction, is the perfect subject-object for this duo whose guiding principle is: "All we are is who we fuck and how we fuck 'em". Presenting themselves disguised as fans, Sayles is only too willing to unwittingly go along with them -- as he has his own ideas about taking himself to the next level, having gotten very full of himself: Was he not an icon ? Was he not an outsider who was taking on an elitist establishment that had lost touch with popular opinion ?And so, he explains: I want to change the face of books. I want to raise the profile of popular literature, to strike a blow for ordinary readers and what they read.He's setting himself up perfectly for Pippa and Zeke's shenanigans -- even as they aren't fully aware of just how easy it is to get sucked into Sayles-land. Meanwhile, Richard continues on his crusade, because to him: "books mattered. Books really mattered". (And by 'books' he means something very different than what Sayles puts into circulation.) Things come to a head when the book is finally published and Sayles' glorious "campaign for the democratisation of literature", the promotional 'People's Literature Tour', is set in motion. In fact, people have already been dying left and right -- reviewers and others who got advance copies of the book -- but of course it's once it's unleashed on the unsuspecting public the consequences really threaten to get out of hand. Everyone gets theirs in Books -- very different things for each of the main characters, but the life-saving plan Richard proposes also sees lots of readers properly tended to, the democratisation of literature in rather a different way than Sayles had intended. It's quite good fun -- though the rather cavalier treatment of the rather many deaths does give the book a slightly sour taste. Hill's cheerfully told tale reminds of Geoff Nicholson with both its quirky, singularly obsessed characters (as all the main ones in Books are too) and its amusingly absurd premises and incidents. The characters all (except perhaps for driven Pippa, who really knows what she's after, from beginning to end) have their weak spots, making them sympathetically human -- even blowhard Sayles, victim to his own success and delusions -- and while Hill's sympathies obviously lie much closer to Richard's lofty literary ideals he pokes fun at and deflates all the characters' pretensions, including Richard's. The satire isn't so much gentle -- as noted, there's really rather lots of carnage -- as gently written, which doesn't blunt its edges but makes it go down so much more easily. So much so that one occasionally wishes for a bit more sharpness to it. An enjoyable and amusing read -- and easily recommendable to anyone who enjoys reading (whether 'literary fiction' or 'male confessionals' ...). - M.A.Orthofer, 13 December 2014 - Return to top of the page - Books:
- Return to top of the page - English writer Charlie Hill is from Birmingham. - Return to top of the page -
© 2014 the complete review
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