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Sweet Days of Discipline general information | review summaries | our review | links | about the author
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Our Assessment:
B : atmospheric, but not much to it See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: The narrator of Sweet Days of Discipline was, more or less, abandoned in her youth by the adults in her life. There was no real home for her: her parents were divorced, her mother living in Brasil and sending letters of instruction to the schools she attends but little more, while when she saw her father they generally stayed in hotels. For a while: they'd left me with an elderly lady, a grand-mother. One day she decided she couldn't put up with me any more, she said I was a savage.And that's how she came to spend: "the best years of my life in boarding school. From eight to seventeen." Sweet Days of Discipline offers glimpses of many of those years, but focusses on the time she is in her mid-teens, when she attends the Bausler Institut in the Appenzell, in Switzerland -- the area, so the book begins, where "Robert Walser used to take his many walks when he was in the mental hospital in Herisau". Some of the girls make an impression -- though not her roommate, a German girl whose name she can't even recall. There's the daughter of an African president. There's the newcomer, magnificently red-haired Micheline. And there's Frédérique, on whom the narrator has a crush, and who has to leave the school when her father dies. A few episodes are described, but for the most part it is atmosphere that is recalled. The Bausler Institut isn't a place of rigorous academics -- at least not for the narrator. Classes or studying barely merit a mention. More important, and making a much greater impression, are the relationships. Often they are more wished-for than real, with a great deal of passion but little that is acted on. The narrator, in particular, does little: a younger girl might slip into her bed, hoping to become her favourite, but is promptly kicked out, and her own longing for Frédérique remains largely simply that. It's an aimless, narrowly circumscribed life that is described here. The narrator claims that at the boarding schools she attended: "a sort of senile childhood was protracted almost to insanity." The mix of childish innocence and world-weariness (bordering on senility) is certainly well-captured. And the narrator even takes some pleasure in this pointless sort of life, the discipline of school providing at least some sort of stability and certainty in a world where adults (at least in her family) offer no hold: And perhaps they were the best years, I thought. Those years of discipline. There was a kind of elation, faint but constant throughout all those days of discipline, the sweet days of discipline.(Those looking for firmer sorts of discipline, of young girls in school uniforms, (with perhaps a swish of leather belts or crops) will, however, be disappointed: that's not what's found in these pages. In fact, like most everything else in the world the narrator inhabits, even sexual desire and expression is largely atrophied or dulled.) Sweet Days of Discipline is a nicely told tale: Jaeggy has the voice down just right for most of the short book, and describes the general feeling of these schooldays convincingly. There's some good observation, and a decent sense of humour (when her parents look for one last boarding school for her -- at a point when one thinks they can't do any worse than they already have in what they inflict upon their daughter -- she writes: "They found a school near a lake, Lake Zug, renowned for its cherry flans"). The dreamily-episodic presentation seems to be appropriate for the decade wasted in these schools, and at just over a hundred pages the book is entirely sufferable. It's not truly compelling, however, though it does have a lingering resonance. - Return to top of the page - Sweet Days of Discipline:
- Return to top of the page - Swiss-born author Fleur Jaeggy lives in Milan. She writes in Italian, and is married to publisher Roberto Calasso. - Return to top of the page -
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