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Our Assessment:
B : far too many convenient coincidences and narrow escapes undermine the suspense (and destroy any plausibility) See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Remote Control is a conspiracy novel, with Masaharu Aoyagi chosen (by some unknown greater forces) as the fall guy in the assassination of Japanese Prime Minister Sadayoshi Kaneda.
The Prime Minister is blown up by a bomb delivered by a remote-controlled toy helicopter while driving in a parade in the city of Sendai, and all the (constantly mounting) evidence points to Aoyagi, a former deliveryman who had already been in the spotlight once before when he had saved a famous actress from an intruder while on his delivery-rounds a few years earlier.
"Yeah, but this enemy of yours -- I can't get a grip on him. You might as well be fighting 'the government' or 'authority' itself."Indeed -- and that's what it certainly feels like, as he's hunted down by trigger-happy cops (unusual in Japan) who seem to have eyes everywhere. Aoyagi does his best to escape this situation: What did they do in movies ? There were lots of cases of people being framed for crimes they didn't commit, sympathetic heroes running from the police while trying to prove their innocence. He tried to remember how these other poor dupes had managed to make it to the Happy Ending. Catch the real culprit -- that was it. Keep one step ahead of the police, discover the truth, expose the plot, prove his innocence. Then everybody could go home more or less satisfied.Of course, along the way there have to be lots of hardships -- but Aoyagi also has some people in his corner, from an old girlfriend convinced of his innocence to a variety of people willing to try to help (when they're not being coerced by the police or other sinister forces ...). There's even an unlikely (and way too good to be true) knight in shining armor, the person who was originally targeted by the 'security pods' when they were first installed, and who has quite a few tricks up his sleeve, as well as some good contacts. Remote Control quickly becomes entirely unbelievable in its web of connections. Sure, there's a fair amount of suspense, as Isaka makes sure to keep the reader guessing as to how, exactly, this situation will be resolved, but far too much of it gets to be downright silly (the plot eventually requiring resentful plastic surgeons, fake manhole covers, and much else that defies belief). Shifting back and forth between several of the involved parties, and with Aoyagi in near-constant danger, the narrative certainly doesn't flag, and is quite well presented. There's a pervasive nostalgia, too, that Isaka constantly weaves into the story, Aoyagi and the others looking back to old times, and with the constant echo of the Beatles refrain from 'Golden Slumbers' (which is also the Japanese title of the novel), as Aoyagi learns the really, really hard way that while: "Once there was a way to get back home", well ..... (And, boy, does he ever have to carry that weight now .....) But ultimately the story is simply too incredible, an implausible movie-script plot with twists that are so unlikely that, in the end, it all seems just too silly. - M.A.Orthofer, 18 March 2011 - Return to top of the page - Remote Control:
- Return to top of the page - Japanese author Isaka Kotaro (伊坂幸太郎) was born in 1971. - Return to top of the page -
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