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Our Assessment:
B : enjoyable, but nothing extraordinary See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Love of Mountains collects two of Uno Koji's stories, In the Storehouse and the title-piece (which, at over a hundred pages, is practically novella-length).
Elaine Gerbert also offers a fairly detailed introduction to the author and his work, especially regarding these two pieces from early in his career.
No, that's not the proper order; I've been sidetracked again. ... Please feel free to change, to rearrange ... as you listenThe main thing he tries to relate is his relationship with all the goods he's pawned, most notably his kimonos and futon. It's a ridiculous arrangement: the cost alone in interest payments -- which he faithfully makes (while not being very conscientious regarding his other bills) -- is more than many of the items are worth. It's even gotten so far that he's renting the kimono he currently wears from the pawnshop ..... He can't bear to think of losing his ownership-interest in these goods, which is why he doesn't just sell them, holding on in this way to the past and what success and happiness he had then. Yamaji is forty years old, and his life is a mess. The clothes in the pawnshop are among the few things he has to hold onto -- and he can't even hold onto them directly, but rather only through the pawn-tickets. Kept safely neat and orderly there these pawned items are a stark contrast and reminder of how his own life has become undone. Among his big projects is to borrow them from the pawnshop, in order to air them out himself -- an undertaking that is only moderately successful, confusing the fairly rigid roles pawnbroker and pawner have. It's a comic tale: Yamaji is a hapless fellow, with his writerly idiosyncrasies and inability to right his life, but he's generally content enough and an amiable narrator. Women give him some trouble, and one at the pawnshop adds to the complications in his life that he can't quite handle. The story is amusing in how it's told, Yamaji rambling about, apologising to the reader, wondering which direction to go in -- a reflection of his own life. Love of Mountains is a more ambitious narrative, again told by a writer, though he is a more successful novelist. He is passionate about mountains, distant ideals he can admire but that he never conquers. The focus of the story is the author's visits to the resort-town of Shimo Suwa. He falls in love there with a geisha named Yumeko, but can not form a happy relationship with her and eventually marries another, Kotaki. Yumeko, however, remains his obsession: As you know, I am a novelist and at that time had already written several novels that were essentially about my relationship with her.This novella, too, focusses on her: the author describes other events and relationships, including several friendships he makes, but almost everything always returns to Yumeko. Like the mountains he professes to love she remains always out of reach. The episodes, especially the visits to Suwa -- first open, then furtive --, and the transformations of the characters (several of whom move to Tokyo, including, of course, the narrator's new bride) are well handled. Cognizant of the dreams and aspirations of others, the author recounts these in trying to deal with his own, but Yumeko can almost never be displaced. He understands that it is a futile and even harmful dream he harbours, and that even dealing with it in his writing is dangerous (as the character might be recognised for her true-life counterpart), but he can't help himself. He also harbours few illusions: Yumeko is not a romanticised ideal, but that makes his passion for her no less overwhelming. With the text broken up, practically every paragraph separated from the next (though apparently some of this was the translator's doing), the story advances bit by bit, with detail and side-stories that make it seem more a condensed novel than an expansive story. Uno writes thoughtfully and humorously. The stories are entertaining if not entirely compelling (Love of Mountains seems unceratainly stuck between story- and novel-length, and might have done better either pruned back or puffed up). With authors as narrators in both there's quite a bit of self-conscious (and parodying) literary playfulness, and it would be interesting to see how Uno handles a story not centred around a writer. Certainly of some interest, but not particularly remarkable. - Return to top of the page - Love of Mountains:
- Return to top of the page - Japanese author Uno Koji lived 1891 to 1961. - Return to top of the page -
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