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Beauty Salon general information | review summaries | our review | links | about the author
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Our Assessment:
B- : too insubstantial See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Beauty Salon is barely even of novella-length; it also does not tell much of a story.
The nameless narrator is transvestite who ran a beauty salon but in recent yeas has converted it into "the Terminal", a place where terminally ill men close to death (from an unidentified but AIDS-like plague) spend their final days.
In Beauty Salon he reflects on his undertaking -- and on his own fate (as he too has come down with the terrible illness).
the beauty salon is not a hospital or a clinic, it's simply the Terminal.He calls those who come to die there guests -- and he accepts no women, and no men who are still relatively healthy. It is a place only for those who have nothing, and nowhere else to go, and who are nearing the end. The narrator decorated his beauty salon with aquaria, but from the beginning he's had trouble keeping any fish alive in them. In his narrative he recounts his various efforts to raise a variety of fish-species, as well as his work at the Terminal, which he largely runs by himself. Death and decay prevail, even in this place formerly devoted to beautifying; indeed, death and decay cannot be kept at bay, by any means. Still, the narrator harbors some illusions --and worries, for example, what will become of the place once he succumbs to the illness. He's already had offers from institutions offering help, but disdains their ulterior motives -- and worries: The function of the place will be perverted. A place that was designed strictly for beauty will now become a place dedicated to dying.Yet this isn't entirely convincing, as that transformation seems already to have occurred -- under his own guidance. The material suggests much allegorical intent: the narrator himself is, after all, 'perverted' in a way -- or at least considered that way by many. His homosexuality also manifests itself in dressing up in women's clothes (though he's largely given that up by now), the embrace of an entirely different reality (and an entirely artificial form of what is presumably meant to be beauty) -- but this embrace of beauty also proves fatal (since -- so it is implied -- the ravaging disease attacks homosexuals in particular). Bellatin also surely means to suggest that what the narrator used to do -- run a beauty salon -- is, ultimately, simply the flip side of the same coin as what he is doing now: the artificial prettifying was just another form of trying to keep death at bay, and both are futile: the end is always nigh. And then there are the fishes -- some of which are quite nasty pieces of work, and all of which have trouble surviving. Yet for all these suggestions, Beauty Salon remains more a dank work than one with much power. There is not much of a story-arc here, and the narrator only provides some background information; neither the reality of the beauty salon (nor, really, the Terminal), much less his own life are adequately presented. (There is, arguably, enough about the fish.) Quite possibly this was a more affecting work in 1999, when it was first published; in 2009 an AIDS-novel(la) -- and that is surely what this is -- has got to offer more. Intriguing in its ideas, Beauty Salon falls very, very short as a work of fiction (in no small part because it is so short). - M.A.Orthofer, 17 August 2009 - Return to top of the page - Beauty Salon:
- Return to top of the page - Mexican author Mario Bellatin was born in 1960. - Return to top of the page -
© 2009-2021 the complete review
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