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Our Assessment:
B+ : good, provocative literary fun See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: The Story of My Teeth begins with Gustavo Sánchez Sánchez -- called 'Highway' -- introducing himself, beginning with the claim that: I'm the best auctioneer in the world, but no one knows it because I'm a discreet sort of manMuch later in the book a second narrator is introduced, amanuensis Jacobo de Voragine who also describes Highway's last years and performances, and brings the swirling story full circle, noting that Highway often told his story, beginning more or less as the account also does in the book. Highway's story is also his spiel, all part of an act that is also his essence. Highway's life is long largely unremarkable. Yes, he was born with four teeth -- an unusual but not unknown condition -- but that's about it. He started working young, and for neatly two decades worked as a security guard in a factory -- a factory with an art gallery, making him: "a gatekeeper of a collection of objects of real beauty", even if he never gets to see them. Then something happens that leads to him getting a promotion -- to Personnel Crisis Supervisor, a cushy job, since it turns out there are few crises among the personnel. He marries, and has a son, Siddhartha. And then he starts studying to become an auctioneer -- and, inspired by reading about an author who wrote a book and used the proceeds to get his teeth replaced (think Martin Amis), his grand ambition becomes to be able to do the same. Highway embarks on his auctioneering career, developing his own category to supplement the four techniques he had been taught (circular, elliptical, parabolic, and hyperbolic) -- the allegoric method. And the payoff comes when he buys Marilyn Monroe's teeth and has them implanted to replace his crooked set of chompers; after that: "For months after the operation, I couldn't get the grin off my face". Highway winds up losing his precious Monroe-teeth -- to his son, no less -- as the book moves on in parts titled after the different auctioneering techniques, beginning with 'The Hyperbolics'. Here there's a demonstration of Highway's skills and stories, as he auctions off ... teeth (it's for a good cause), ascribing famous origins to them (from Petrarch to Virginia Woolf to Enrique Vila-Matas). (For all his supposed skill, it's hard to overlook that the lots don't bring in much cash.) Highway is left toothless, but the book still has some bite in spinning his tale on -- including amusingly continuing to mix in references to literati, presented as relatives and acquaintances in slightly altered nominal guises ('Juan Pablo Sánchez Sartre', 'Roberto Sánchez Walser', etc.). By the time we get to the allegoric lots we find even a: "Valeria Luiselli, a mediocre high school student" (and the daughter of a "Mrs. Weiss and Mr Fischli" (as (if not quite) in the artistic duo)). The final book of the narrative-proper is then recounted by Voragine (his name also that of a well-known real life figure, and a lives-of-the-saints author) -- and includes photographic documentation. The final part of the book is a helpful 'Chronologic', the work of translator Christina MacSweeney -- "a map, an index, and a glossary for the book", Luiselli suggests An Afterword by Luiselli explains the origins of this work, and its real-life connections -- beginning with a factory with an art gallery resembling Highway's longtime workplace (and the ones to originally commission a piece from Luiselli, out of which this book eventually emerged). She sums up the resulting work as a: "collective "novel-essay" about the production of value and meaning in contemporary art and literature". This is an unusual work of fiction, and not just because of Luiselli's creative stylistic approaches. Voragine notes: When Highway first began to recount his stories to me, I thought he was a compulsive liar. But then, living with him, I realized that it had less to do with lying than surpassing the truth.Anchoring the story (and teeth) in so many real-life identities, The Story of My Teeth also constantly reminds readers of the warping and transformation of reality in (and into) art -- beginning with the playfully changed names. Highway tries to explain: What auctioneers auction, in the end, are just the names of people, and maybe words. All I do is give them new content.The Story of My Teeth is an exercise in variations on that theme. It's cleverly and quite amusingly done, even as perhaps the theoretical shows through too clearly -- Luiselli isn't wrong to call it a: "novel-essay" -- and an enjoyable (and nicely surprising, in parts) read. - M.A.Orthofer, 7 December 2015 - Return to top of the page - The Story of My Teeth:
- Return to top of the page - Mexican author Valeria Luiselli was born in 1983. - Return to top of the page -
© 2015 the complete review
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