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Our Assessment:
B : decent collection See our review for fuller assessment.
- Return to top of the page - The complete review's Review:
Paul Muldoon's first collection (published when he was only 22), is a solid if unspectacular one.
The thirty six poems -- most about a page in length -- are not uniform in approach or style, though many of the subjects that reappear throughout much of Muldoon's writing are touched upon.
There are biographical titbits, scenes from his life and from Ireland, the preoccupation with America, religion.
Some of the playfulness is already apparent, as is some of the allusiveness.
In the way that the most of the windSeveral of the personal pieces are striking successes. Thinking of the Goldfish is poignant, with lines like: Beating in its plastic bagSimilarly, the tight concision of Leaving an Island works very well. Hedgehog, unexpectedly turning at the end with its religious twist, is among Muldoon's most memorable early poems. The spare Easter Island is also a small marvel, closing: These islandersMuldoon does display an odd predilection for splitting words across lines in some of these poems ("inter- / Vened", or "wob- / Bled", for example). It seems to be out of metrical necessity (though in the case of "inter- / Vened" it doesn't seem to quite work out), but is not entirely satisfactory. The collection is somewhat uneven, but there are certainly enough worthwhile poems here. - Return to top of the page - Paul Muldoon:
- Return to top of the page - (Northern) Irish poet Paul Muldoon was born in 1951. He has written several collections of poetry and opera libretti. He has become a citizen of the United States and currently teaches at Princeton University and at Oxford. - Return to top of the page -
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