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Our Assessment:
B+ : freewheeling, wide-ranging collection of stories -- a mixed but intriguing bag See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: Guns, hookers and drugs by the score; Critics should pan it, They really should ban it, Or at least put it front of the store - from Pixel Dub Juice (sublimerix remix)
Pixel Juice packs considerable punch.
Fifty stories in the one book, each as unpredictable as the next.
Other than a general Mancunian setting -- practically everything happens in and around Manchester -- there is nothing that unifies the collection.
There are various threads that run through various stories: characters that reappear (as there are also characters from, for example, Noon's earlier novel, Nymphomation (see our review)) and other common elements, but it makes for an unusual weave.
In the first shop they bought a packet of dogseed, because Doreen had always wanted to grow her own dog. In the second, a pair of bird shoes, which fluttered slightly as Matthew put them on.These are the first of many unexpected yet completely convincing inventions in Noon's stories. They are incidental, practically taken for granted. The stories around them are themselves are almost "normal" -- in how they are related, and, on some level, in what happens. Noon doesn't preen with his invention, like 99 out of 100 science-fiction authors do. He doesn't needlessly focus attention on them, or overexplain. They are just elements of the worlds he describes. The worlds in Pixel Juice are generally nearly realistic. Dystopian, perhaps, and grimy, with a few (or, occasionally, many) twists, they are still fairly close to what we know or, for the most part, can imagine -- though throughout Noon does add the unexpected, the things we wouldn't have thought of ourselves. Only a few of the stories are set far in the future (and even there there is generally a connection to present times). The stories vary greatly. There are straightforward narratives, many of which are related in the first-person, but there are also various poetic remixes (in haiku and limerick form, among others), various holdings from the Museum of Fragments (including pages from a glossary from The Book of Nymphomation and the rules of Pimp ! - The Board Game), and other odds (distinctly odd) and ends. In Junior Pimp Noon describes the short career of eleven year old William Wheeler, world famous Junior Pimp. In The Charisma Engine a student far in the future uncovers an old Frankensteinian experiment. The Silvering offers an odd mirroring world, while robo Alan Cooder ("a salesman specializing in children's accessories") negotiates some familiar Noonian terrain in Xtrovurt. There are blurbs and pixels, feathers, drugs, killer transmissions. Everything and more. Noon's literary play -- which comes to full fruition in Cobralingus (see our review) -- crops up constantly, from the remixes to many of the stories. In Qwertyphobia characters are allergic to certain letters of the alphabet. In Alphabox (a recurring tale) a writer puts together a book one precious letter of the alphabet a day, the letters hand-delivered to him. In Metamorphazine various characters take various drugs such as Metamorphazine, Simileum, Onomatopiates, and Hyperbolehyde, with predictable results. "In style it's manic-frenetic, / With language mistreated genetic" Noon sums it up in the Pixel Dub Juice (sublimerix remix). It is a lot, this collection. It can wear a reader down. Nearly fifty visions to contend with, each riper than the last. The stories aren't all equally strong: a number fall fairly flat, but there is enough value here, and enough variation. Much of it is surprisingly and reassuringly down to earth, the characters very human (even, occasionally, when they are not at all human). In particular Noon convinces as a literary craftsman. Characterization is his weak point -- or almost something he isn't interested in. A few of the stories have some decently and defined characters -- kids, usually. But it is the language that carries the day, Noon's neat expression. And many of the most enjoyable pieces are those that really aren't stories, merely descriptions. Fragments of the future or the alternate surrealities he invents, marvelously put. The remixes -- prefiguring his work in Cobralingus -- are also especially good, Noon understanding how to rework his material, stripping it down and then re-presenting it. A lot, but a worthwhile lot. - Return to top of the page - Pixel Juice:
- Return to top of the page - English author Jeff Noon has published several novels, including Vurt and Needle in the Groove - Return to top of the page -
© 2001-2010 the complete review
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