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Our Assessment:
B+ : simple but effective See our review for fuller assessment.
Review Consensus: - Return to top of the page - The complete review's Review:
The protagonist of The Howling Miller is, as the title suggests, a miller prone to howling.
In northern Finland in the early 1950s Gunnar Huttunen is the new man in town, having bought the run-down local mill and now planning to fix it up.
He's kind of a moody character: sometimes he can't curb his enthusiasm and he's a jolly, entertaining fellow, but at other times ... well, he howls.
The howling has to stop, once and for all. It's not right that a grown man should be out barking with the dogs. Last winter you kept the whole village awake for nights on end, and now you've done it again.Huttunen tries to explain his odd compulsion: "It ... it comes automatically. First I have a sort of need to shout. My head feels tight, and then it has to come out, very loud. It's not completely out of control, it's just something that comes over me when I'm on my own. It's always a relief afterwards. A few howls are enough."The local doctor gives him some pills, but he immediately takes too many and goes on a rampage; rather than acknowledge his mistake the doctor agrees with the general assessment of Huttunen's mental instability, and they ship him off to the loony bin. He eventually escapes from there, but after that he's more or less on the run, considered a danger to society and incapable of handling his own affairs (even as he is, in fact, extremely resourceful and independent). As he sees it: But just because his mind worked differently to other people's he was beyond the pale, he had to be banished from the social order.And the way he is treated -- as an outcast, and not to be trusted handling his own affairs (meaning, for example, he can't get at the money in his own bank account) -- exacerbates the situation. Huttunen takes to the woods, but can barely establish himself there, constantly undermined by the locals. He does have some who are willing to help him: one policeman does what he can, and later the local postman assists him (in return for Huttunen tending to his still). And there's also a love-interest, the local 4H woman who gets him to grow a vegetable garden and who finds herself quite taken by him (though she won't sleep with him until his madness is cured, rather worried about what kind of child she might bear otherwise). As usual, what Paasilinna excels at is in describing the independent spirit. Huttunen is a no-nonsense sort of guy who gets things done, despite the best efforts of the townsfolk to undermine his efforts. If he has to go live in the woods, so be it: he quickly builds himself a perfectly adequate camp. But Huttunen is also impulsive, and has little patience when he doesn't get his way. So, for example, when the bank won't give him his money he insists -- and so soon enough he's pegged as a bank-robber too. And he finds it hard to keep that howling under control as well. Paasilinna also opts for an interesting outcome: there's not really a happy end here, yet everyone gets most of what they deserve -- including Huttunen. Though the miller does not get the girl, he does get his freedom -- and he can (and does) go on baying and howling. The free spirit is not, however, integrated into this petty and small-minded society -- and the way Paasilinna brings his story to a close suggests it is impossible for Huttunen to be a part of this world. It's cleverly done, the very dark lesson cloaked yet again in some lightness -- which is, indeed, Paasilinna's technique throughout (and, indeed, throughout most of his works): yes, this is a comic novel, but there is considerable darkness and even anger, especially at the petty silliness so many indulge in, ruining their own and other people's lives. The asides that situate the novel -- mention of the still-raging Korean War, the forthcoming Olympics in Helsinki (held there in 1956), the Finns battles against the Germans and the Soviets -- are sharp and stinging, and it's only Paasilinna's (and his characters') matter-of-factness that keeps the bitterness down. What seems a very simple and almost simplistic tale turns out to be surprisingly nuanced, and while Paasilinna's style and presentation seem almost basic, there's no question that he tells a good and compelling story. Enjoyable though The Howling Miller is, it must be noted that it is simply unacceptable for it to be presented second-hand, via the French translation. Paasilinna's arguably crude style may seem to be able to bear such double-translation better than most fiction, but it does him -- and his English-reading readers -- a great disservice. Shame on whoever authorised this. - Return to top of the page - The Howling Miller: Reviews:
- Return to top of the page - Prolific author Arto Paasilinna lived 1942 to 2018. One of the most popular authors in Finland, his work has been widely translated. - Return to top of the page -
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