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Our Assessment:
B- : goes through the motions, without adding up to a very compelling novel See our review for fuller assessment. The complete review's Review:
The first novel by Ake Edwardson to be translated into English, Sun and Shadow introduces English-language readers to detective chief inspector Erik Winter.
Unfortunately, it is not the first novel in the series (it appears to be the third), and while, like many detective fictions from a series, it can (or at least is meant to) stand on its own, it relies so much on the person and personality of its lead man that the background is sorely missed.
Their bodies were crisscrossed with shadows and light and something else. Winter realized what it wasYes, Winter realized -- but do you think he'd share his insight or observation with the reader ? No: there are clues, and it's mentioned eventually -- but not nearly soon enough. Some may like this type of suggestive novelistic play, but crime fiction that withholds the most basic information from readers, that's a challenge (or, more likely: a cheap trick). Sun and Shadow adheres to the basic Ian Rankin Rebus novel template. Winter isn't quite as moody or troubled (or alcohol-dependent) as Rebus, but he also has issues, and can't get his personal life completely in order. Then there's the police staff, a large cross-section of which swirls throughout the novel -- including, colourfully, Aneta Djanali, born in Gotheburg but to emigrants from "the troubled African nation of Burkina Faso" (allowing for both a touch of the exotic and bringing in the race/immigrant issue). And there's a personal aspect to the crimes too: "It's not unusual in cases like this for the murderer to try and get power over the person who exposes him. His unmasker" -- in this case: "His future unmasker", i.e. Winter. As Rankin also sometimes likes to do, Edwardson tells his story from multiple perspectives, shining a light on Gothenburg from various angles (sun and shadow !) and through various eyes, some more guilty than others. And there's the sub-story of a youth living with his alcoholic father, a boy who might have some valuable information about the case. There are some more cheap tricks -- some bait and switch, as the reader is led to believe X did something (or something was done to X) but it turns out not to have been X but Y (a very enervating fictional device, though it's about all the suspense Edwardson can muster) -- as well as some of those with critical evidence inconveniently getting themselves incapacitated. Edwardson uses many of the traditional thriller-building-blocks, yet his assemblage rarely thrills. Sun and Shadow has all the right ingredients for a decent police procedural, and some potentially interesting characters (and situations for those characters), not least Erik Winter. But Edwardson displays a remarkable inability to piece it together -- and flesh it out -- making for a book that isn't really bad but is surprisingly dull. (It likely would resonate more effectively if Winter were already familiar to readers (i.e. the earlier volumes in the series were available), but even then it probably wouldn't be truly compelling.) - Return to top of the page - Sun and Shadow: Reviews:
- Return to top of the page - Swedish author Åke Edwardson was born in 1953. - Return to top of the page -
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