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Our Assessment:
B : enjoyable if limited See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Adventures in Africa is an account of Gianni Celati's 1997 trip to Mali, Senegal, and Mauritania with filmmaker Jean Talon, notebooks recording his travels and adventures.
I understand almost nothing here, and I don't even know what I came to do in Africa.Indeed, sense of purpose isn't very evident. Celati tags along with his filmmaker-friend -- who seems even less capable of getting anywhere or getting much done (the film project, needless to say, does not progress well). Bu the come-what-may approach isn't the worst. Celati observes and records (and reads -- René Caillé's Journey to Timbuktu, for example, from a time when travel in these parts was still a very different sort of adventure). There's relatively little sight-seeing: the sights are largely the generic local ones (and the hotels inevitably dominate, as the retreats they are). There is quite a bit of interaction with locals, especially guides and those offering there services, and Celati seems particularly taken by the different approach to negotiation, notions of offer and acceptance (where Africa and (mainly European) tourists clash). Celati experiences the country (mainly Mali), but understanding is hard to come by. Authenticity seems hidden under the local attempts to cater to the tourists, to offer them what they expect. And, almost despite himself, Celati too appreciates it when the competent guide helps get things done -- even as that at the same time cuts them off, in a way, from local life. Celati claims: The longer I stay here, the more I seem to see everywhere roles that I know, behaviors that remind me of something. It is as if all of man's secrets were exposed in the open, in the general functioning of daylight, in the performances everyone must make in order to be who he is.Indeed, Celati's observations often treat action as performance, as if that were the only way to approach it (since, presumably, many of the fundamentals behind it remain unfathomable and out of (his) view). It is, at least, a fairly African adventure they have. They travel to relatively out of the way places -- they're far from the only tourists, but these are not places where the economy relies entirely on the tourist-trade. But by the end Celati sees everything through documentary eyes: even immersed, he is unable to really live it and, as he notes, it's like they're in a film (a feeling that doesn't go away upon returning to Paris, where it then just seems they've stepped into a different film). Noting how few primitive tribes there are left for anthropologists to study (and how taking them as subjects of study contaminates them) Celati comes up with a different idea: So therefore, why not put an end to it and select a subject that is less perishable, which is exactly what tourists are ? Tourists are healthy, almost all of them speak English, they're a group of people sharply on the rise. On top of that, they've already worked out their own belief system, a very complex mythology, their own customs of dressing and eating and traveling.Gelati can't escape being part of that tribe, either, and while he won't fully give in to it, he knows his account is very much from that perspective too. Africa remains beyond; Gelati has some insight into it, but it only gets him (and goes) so far. An appealing read, but with the feel of whiling away time -- much as much of Gelati's trip feels. - Return to top of the page - Adventures in Africa:
- Return to top of the page - Italian author Gianni Celati lived 1937 to 2022. - Return to top of the page -
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