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Our Assessment:
B : a few too many stereotypes, a bit long-winded (and winding), but solid, entertaining police procedural See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Athenian Inspector Costas Haritos narrates this mystery, which begins with the murder of two Albanians -- not a very high-profile case and not something that very many care about.
TV reporter Yanna Karayoryi is one of those covering the case, and hints that there might be something more to it; soon she wants to drop a bombshell on the news, but winds up murdered just before she goes on the air.
When her replacement also gets murdered, things get even more complicated.
you're the only one with an ounce of brains around here. Though don't go attaching much to that. One eye's better than none.The mystery is a fairly clever, occasionally over-complex one, with false trails (and other crimes) nicely built in as the whole is slowly allowed to unfold. The secondary characters that are involved, from his boss to the various suspects and the relatives of the victims, are quite well presented, a good, broad look at Greek society (though it's a crowded field in the book, and some are treated too cursorily). Athenian colour is also decently woven in, though Markaris tends to simplify and, unfortunately, repeat himself. Haritos gets stuck in traffic practically every times he gets in a car (which is frequently) and Markaris' detailed record of the duration of most of these trips (and the routes) is more than readers need to know. Similarly, there are far too many complaints about the moody office elevator (especially since this isn't a skyscraper, and taking the stairs hardly seems too taxing). Haritos affects a slightly world-weary and cynical tone; it works, on the whole, but doesn't always come across right. A certain type of woman immediately strikes him as lesbian, the thought of police brutality (which used to be a matter of course) doesn't even cause him to raise an eyebrow, and he tends to be a bit brusque in dealing with people (though -- this is the 1990s -- he is a middling softie at heart). Some of the crimes Haritos delves into here get fairly complicated (and a bit convoluted), but the basic ideas are fairly clever, and it is ultimately satisfying as a mystery. Haritos isn't entirely sympathetic (and appears here still a bit unformed -- it'll be interesting to see what he's like in later volumes of the series), but Deadline in Athens is a good read. - Return to top of the page - Deadline in Athens:
- Return to top of the page - Greek writer Petros Markaris (Πέτρος Μαρκάρης) was born in 1937. - Return to top of the page -
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