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Our Assessment:
B : wends and winds its way -- too slowly, and in too many knots See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Between Summer's Longing and Winter's End is sub-titled: The Story of a Crime, and that crime is one of the most notorious in Swedish history, the still unresolved Palmemordet -- the 28 February 1986 assassination of then prime minister Olof Palme.
The story does lead up to the assassination, but the death at the center of the novel is a different one, the suicide -- or murder -- of a visiting American journalist named John P. Krassner.
The novel begins with the young journalist's death -- he falls from the student dormitory apartment he had been living in -- and then fills in the gaps of all the events leading up to that, continuing then to that second death, of the prime minister.
you were an honorable, uncorrupted, and very capable Swedish police officer who doesn't shy away from the truth no matter how frightening it may be.The truth here is somewhat frightening, though it's the corruption and dishonorable conduct by many others in the Swedish secret police (and quite a bit of incompetence in the regular police ...) that is truly shocking. Kraussner was working on an exposé, a book project titled 'The Spy who went East', and Johansson gets his hands on a copy while visiting the US, where he takes a detour to visit Kraussner's former girlfriend; not surprisingly, it contains some pretty explosive material, mainly concerning the prime minister. Johansson does most of his investigating (and putting together the pieces) by himself, realizing that given what and who this case involves there are few people he can trust. As Persson lays out the cases and revisits what happened, the larger picture changes shape: not everyone is exactly who they seem, and actions that seem straightforward often turn out to have had an underlying hidden purpose. With an enormous cast of characters, and with Persson shifting back and forth among them, it's also a fairly messy picture; focusing both on the professional and the personal (including the peculiar sexual predilections of one of the men, and the affair he has with one of the few competent secret police agents, a woman who looks far younger than her age) it is also often a blurry image. Much that seems insignificant at first does prove to play a role, and in a way the presentation is very realistic -- lots of noise, out of which it's often impossible to distinguish what's significant and what can safely be ignored -- but it makes for wearying reading, without quite the usual thriller-satisfactions (simplistic though those may be -- certainly by comparison). Between Summer's Longing and Winter's End is a large-scale conspiracy novel, and an indictment of the secret police in particular. The regular police here are, at worst, incompetent; the secret police are often downright evil and dangerous. They create false enemies to keep their funding coming: the Kurds here are the popular enemy-of-choice, and despite inconveniently usually only killing each other are presented as posing a much greater threat (and now targeting a high-ranking politician ...). This is the institution Persson mainly attacks here: The Swedish secret police, in contrast to its counterparts in both the West and the East, was an organization made up almost exclusively of police officers. The Swedish secret police had no intellectual or academic tradition whatsoever, and it was Berg's firm conviction that this was also its main strength. No upper-class pansies from Oxford or Cambridge who might sell out the whole country to the enemy for a piece of ass at some shabby hotel in a third-world country; no overexcited theoreticians who couldn't think a single original thought without immediately broadcasting it in a seminar with a crowd of their ilk; no philosophical scatterbrains or political brooders. A completely pure organization made up solely of police officersWith right-wing nationalist fervor popular among the police, the 'purity' of the secret police does, however, prove problematic -- and given how many loathe the prime minister that, too, is a problem. When Johansson reads what Kraussner appears to have put together and what then happened to him: That just doesn't happen, thought Johansson. We're talking about Sweden, for God's sake.But like Stieg Larsson (The Girl with the Dragon Tattoo, etc ), and Anders Roslund and Börge Hellström in novels such as Three Seconds, it's popular to see deep-rooted (and dark) corruption at the highest levels of Swedish society, government, and law enforcement, and Persson offers yet another variation on it -- and suggests it may well be what killed Olof Palme. Bit by bit Persson tells a decent story, for the most part avoiding the breathless sensationalism and exaggerations that Larsson and Roslund/Hellström constantly revel in, but this is a puzzle presented in far too many pieces, painstakingly put in place. It winds up being fairly long-winded. With no real central character to focus on and sympathize with -- Johansson is the closest thing to a main character, but even he often gets lost in the enormous shuffle here -- and layers of conspiracy going back decades (and involving foreign intelligence services, too), the story can get tiresome. Persson's willingness to show how muddy pictures are in real investigations -- almost no one seems to be truly on top of events all the time -- is admirable, but with his large cast of characters and conspirators it too often gets out of hand. Between Summer's Longing and Winter's End ultimately proves a bit too frustrating to enjoy, with too many underdeveloped characters and too many angles to the conspiracies in play, all in a tone that proves to be too monotone. - M.A.Orthofer, 30 January 2011 - Return to top of the page - Between Summer's Longing and Winter's End:
- Return to top of the page - Swedish author Leif GW Persson was born in 1945. - Return to top of the page -
© 2011-2021 the complete review
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