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Our Assessment:
C : both story and presentation too convoluted See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
French Concession is set almost entirely in 1931 Shanghai -- 'year 20 of the republic' as each chapter-heading reminds -- when there was still a large foreign (and largely self-governing) presence in the region (notably the 'French Concession' of the title), while Japan was seen as a growing threat and making its presence felt.
Meanwhile, Communist forces and terror groups were also trying to undermine the government.
life had turned into a terrifying game of mahjong, and he had no idea when he had been dealt this hand or how he had been duped into staking everything he had on it.In a Postscript the author explains that this story is based on actual events and archival material -- and describes the files he consulted, noting their unlikely (but also limited) survival, as for example in some cases: The pages had been turned inside out and glued together with inferior glue. They came unstuck with time, allowing me to pry apart the pages in accordance with the Archives' strict reading rulesUnfortunately, most of French Concession reads very much as he describes the convoluted state of the limited archival material -- a mess. Xiao doesn't help matters much by failing to focus on any one character (or even having the characters be readily identifiable: not only do many have multiple names, many often are -- or pretend to be -- someone they are not) -- and by having the characters tell false versions of events and plans to each other. Rarely does any character tell another what is really going to happen -- or explain what has happened, or describe relationships, truthfully. As even Hsueh admits as he's spinning out one set of 'facts' to convince someone: This is ridiculous. This story is full of holes. Boy, am I an idiot.Yet even in recognizing his idiocy, he continues down the same path, spinning fake stories left and right -- and not to any particularly good end, at least as far as the reader can tell. This is the kind of novel that spills out events in rapid succession and reassures -- as yet another character does --: There's no time to explain. You'll understand soon enough.Understand ? Yes, there's a plan they're working towards -- but neither the explanations nor the payoff are impressive enough to excuse the circuitous path Xiao leads his readers on in getting there. What good ideas there are -- the plan to record one of the events on film, for example -- are lost in all the clutter. The events that happen along the way aren't negligible either -- there's a lot of killing and arresting and kidnapping and hiding going on -- but far too much of this blurs, given the many and different (and often duplicitous) characters. Matters are also not helped by Xiao's color-commentary: some close-ups of the individuals are reasonably well-done and revealing but readers are treated -- among many other things -- to far too many sex-scenes which offer what were presumably meant to be vivid details but are more or less nonsensical, such as: She tore his clothes off and started playing with his dick until it sprang up like a punching bag assailed by blows.Some of the descriptions of the interesting time, place, and political conditions are quite good, but too much is lost in this jumbled jungle of events and characters Xiao has thrown together. There's a smattering of good ideas throughout (a nice touch: the tabloid called the Arsène Lupin), but also far too much distraction and tangential padding. Without an adequate pay-off, there's just too little here -- a dripping mess. - M.A.Orthofer, 30 August 2015 - Return to top of the page - French Concession: Reviews:
- Return to top of the page - Chinese author Xiao Bai (小白) was born in 1968. - Return to top of the page -
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