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Our Assessment:
B : feminist focus makes for a slightly one-note collection, but a reasonable amount that is of interest See our review for fuller assessment. The complete review's Review:
The modestly popular -- rarely even in the four-million-viewer range -- but critically acclaimed Gilmore Girls which ran on American television from 2000 to 2007 was the rare (in recent times) show in which female characters dominated; as (too) many of the pieces in this collection point out, there have been essentially none in recent seasons (The New Adventures of Old Christine is the one widely cited exception).
The show had an unusual premise: sixteen-year-old Lorelai Gilmore got pregnant but didn't go the traditional route of marrying the (semi-willing) father and continuing to live with her upper class parents and instead raised the kid -- also named, in best patriarchal tradition, Lorelai (but known as Rory) -- by herself.
The series began when Rory reached the age her mother was when she had her.
Mother-daughter issues dominate, as these two have a very different relationship than Lorelai had (and continues to have) with her mother, Emily -- with the maturing Rory also torn between her mother's independent streak and the upper class comforts of her grandparents' lives.
Procurement of food and commensality are a defining feature of the Gilmore Girls' narrative (and the titular Girls' relationship). Lorelai Gilmore (Lauren Graham) directs her maternal love through consumption of processed (mass-produced, disposable) food, which serves to shift the image of the ideal mother as producer to mother as consumer.This is actually a fairly interesting point (in Melanie Haupt's Wheat Balls, Gravlax, Pop Tarts: Mothering and Power), but the way it (and the rest of the arguments here and in some of the other contributions) are put may feel a bit daunting to some fans. Elsewhere, more (show-)specificity might have helped, especially in Daniel Smith-Rowsey's Still More Gilmore: How Internet Fan Communities Remediate Gilmore Girls. Satisfied with trying to make a basic point ("while fanfic sites tend to reinforce a show's ideology, the discussion sites, perhaps counter-intuitively, tend to be more subversive"), it's a paper that could have used considerably more space in fleshing that out. (It also doesn't quite fit with the rest of the contributions -- but the variety is welcome.) Coffee at Luke's, with its lighter tone and greater reach, is a more approachable Gilmore Girls-collection, but there are a number of interesting points raised and discussed in Gilmore Girls and the Politics of Identity . With a somewhat narrow ambit -- strongly centered around the roles of the women on the TV show, and especially the main characters -- and with considerable overlap, it does feel somewhat limited -- but certainly covers the 'family and feminism' angle fairly thoroughly. - Return to top of the page - Gilmore Girls and the Politics of Identity:
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