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Our Assessment:
B+ : interesting reading of Les Misérables , and useful study See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: In The Perpetual Orgy Vargas Llosa took on Flaubert's Madame Bovary , and in The Temptation of the Impossible he examines another French classic that he has carried with him most of his life, Victor Hugo's Les Misérables. Always concerned with what the novel is and can do, it's natural for Vargas Llosa to gravitate to -- and pay such close attention -- to these significant works. As he points out: Although Madame Bovary was published six years after Les Misérables, one can say that the latter is the last great classical novel, while the former is the first great modern novel.Among the things that most fascinate Vargas Llosa is how very fictional Les Misérables is -- in the sense of not being true to reality. Much is simplistic, and many of the characters exaggerated types of the sort not found in the real world. Critics have found this problematic, a (grave) weakness of the novel, but not so Vargas Llosa, who fully accepts the: "surreptitious unreality, fashioned out reality" that Hugo presents. Indeed, it's obvious that this appeals to Vargas Llosa greatly -- and that this is one of the things he tries to accomplish in his own fiction. What others find to be a weakness Vargas Llosa considers one of Hugo's greatest strengths, as Hugo has here created "a fiction that is fictive to the highest degree, yet also sinks its roots in a specific history" (words Vargas Llosa no doubt would love to hear about his own work as well). Another point Vargas Llosa emphasises is how Hugo saw the novel: "He intended Les Misérables to be a religious tract, not an adventure novel". Vargas Llosa repeatedly points out how Hugo (may have) meant this -- and how the results can appear so different to readers over the years. The Temptation of the Impossible offers a fairly close reading of Les Misérables (though necessarily focussed on specific themes and ideas), usefully considering it (or parts of it) from several angles. It is also serious literary criticism, and not as personal (about either himself or the author he is discussing) or approachable as his Madame Bovary-study, The Perpetual Orgy. Responding to many of Hugo's critics (most notably Lamartine), Vargas Llosa does present a cohesive picture of Hugo and this specific work (comparing it also to its shorter previous incarnation, Les Misères), an interesting reading that can certainly enrich the reading-experience of anyone taking up Hugo's massive tome. Among the best parts are when Vargas Llosa goes at it from a writer's point of view -- such as in explaining the necessity and use of the great lengths to which Hugo took this work -- but even in professor-mode Vargas Llosa offers many useful titbits (about Hugo, about the reception of the book, etc.) and opinions. Some familiarity Les Misérables is obviously desirable to fully enjoy The Temptation of the Impossible, but even if that book is only a distant memory, Vargas LLosa's look makes one eager to pick it up again. Thought-provoking and well-presented (though not quite up to achievement that is The Perpetual Orgy) it's certainly of interest.. - Return to top of the page - The Temptation of the Impossible:
- Return to top of the page - Peruvian author Mario Vargas Llosa was born in 1936. He has written many works of fiction and non-fiction, and has run for the Presidency of Peru. - Return to top of the page -
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