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Our Assessment:
B : interesting -- both presentation and content -- but a bit thin See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Our Riches (or A Bookshop in Algiers, as the British title has it ...) is based on the life of Edmond Charlot (1915-2004) and his publishing and bookselling ventures, specifically the small bookshop 'Les Vrais Richesses' he opened in Algiers in 1936.
That is: a store selling new and second-hand books, which is also a lending library, and not just a business but a place where people come to talk and read. A sort of meeting place for friends, but with a Mediterranean outlook too: bringing together writers from all the Mediterranean countries, regardless of language or religionHe finds a small spot -- 2b Rue Charras (conveniently near the university) -- and sets up shop, his ambition that it: "be a library, a bookstore, a publishing house, but above all a place for friends who love the literature of the Mediterranean". The name of the shop comes from one of Jean Giono's books -- with Charlot having written to the master for permission to use the name. The business is, as always, difficult -- with many of the complaints familiar both then and now: Same thing again today: the customers were only interested in the latest prize-winners. I was trying to introduce them to new writers, recommending Camus's Betwixt and Between: not a flicker of curiosity. I'm talking literature, but they want bestsellers !Charlot is also active as a publisher -- his acquaintance with an up-and-comer named Albert Camus certainly helping; "Camus often drops by to lend a hand" ..... During the war it becomes more difficult to run the business, from the lack of supplies to the military call-ups, but the store survives, in a form: for a while: "It has come to this: Les Vraies Richesses without books". After the war, however, Charlot heads for the big times, setting up his (publishing) shop in Paris. It's a struggle but he reports already in the fall of 1945 that they're: "managing to publish 12 to 15 books a month"; by 1947: "Sales are reaching 100,000, and much more for some titles"; by 1949 Éditions Charlot has flamed out, bankrupt. Later scenes from Charlot's life (i.e. notebooks) include the turning point of Camus' death and the final years of Algeria's battle for independence. These entries are tinged with nostalgia and loss, another store of Charlot's repeatedly bombed and ultimately destroyed in 1961, with his correspondence and archives all lost: "A whole life reduced to rubble". Adimi's novel is, of course, an attempt to reconstruct much of this that had been lost -- though she does so only with the lightest of brushstrokes. The contemporary chapters, focused on Ryad and his efforts to clean out the small Les Vrais Richesses store as well as longtime caretake Abdallah, are a sad coda to this bit of literary history. The store had already long not been a proper bookstore, bought by the government in the 1990s and maintained as a sort of annex to the National Library of Algiers but pretty much forgotten. There are still books there when Ryad arrives, but he has little interest in them; still, he gets to know Abdallah and some of the locals, making for a nice small slice of contemporary life in Algiers -- and Ryad does get some sense of what is lost here. All along, the Algerian struggle against the French loom over much of what happens -- and then more recent domestic struggles. It's quite effectively presented and tied into the narratives. Charlot was an important figure in French literature, and of course it is difficult to present all that he did in such a small space; Adimi does bring in a great deal -- but in doing so in this way (mainly through purported notebook-jottings) the account feels almost like a quick summary list. Those parts narrated by the omniscient group-we are a bigger sort of summing-up -- effective as such, and a useful complement to the other sections, but also somewhat limited. The sections focused on Ryad and Abdallah are more expansive -- though also touching on their lives beyond this brief episode -- and are a decent counterpart to the others. Our Riches does convey a sense of what was attempted and what was lost, or never achieved, but the subject matters -- Charlot's work as well as Algeria itself -- and their stories are so pared down that it's hard not to feel a great deal is missing. Adimi gives a sense of the scale of these, and many of the lives affected, but when even a Camus figures as barely more than an incidental character it's hard not to think that (too) much is missing. Readers can fill much in, as the text does provide lots of keywords, people, and moments that readers can free-associate from, and as such it forms a good sort of foundation, but all in all it still feels rather thin. - M.A.Orthofer, 24 March 2020 - Return to top of the page - Our Riches:
- Return to top of the page - Algerian-born author Kaouther Adimi was born in 1986. - Return to top of the page -
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