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The Weight of Temptation general information | review summaries | our review | links | about the author
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Our Assessment:
B : decent satire, even if it offers little that's new See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: The Weight of Temptation follows Marina Rubin's stay at The Reeds, a weight loss facility (cum boot camp). Marina has struggled with her weight for years now, and after trying any number of diets decides its time to take a radical step -- going to The Reeds. It's an intensive program where they do their best to break the participants from what is perceived to be their addiction. It's very expensive -- and: The contracts authorized the institution to apply whatever treatments they deemed necessary to each patient, even against their will.While the methods are extreme -- wired-shut mouths, a 'Clockwork Orange'-inspired electro-aversion therapy, and solitary confinement -- they do stop short of excessive physical force. As to the psychological impact, that's a different matter ..... Nevertheless, patients are also free to leave whenever they want -- although their contracts stipulate that if they do so they have to pay an enormous financial penalty, which certainly helps keep them from taking that step. The Reeds is run by the Professor, with dictatorial glee. It's all in the patients' best interest, he convinces them, but he leads with a very firm hand. As he explains: We're all adults here. We take responsibility for our actions. If we overeat, we get fat. If we sign a contract, we abide by it. That's what The Reeds is about. Becoming responsible for yourself.Yet The Reeds is also a place in which the patients have limited control. If arguably they are being taught to be responsible it is also only because the lesson is forced on them: what ostensible choices they have are, in fact, very limited. Shua skewers several targets in The Weight of Temptation, beginning with the cultural/social obsession for thinness, and the extremes to which people are willing to go to achieve it. Marina's struggles with her weight are representative, though some of the other patients are even more grotesque examples of the odd relationship many have -- or is forced on them -- regarding ideals of physical appearance. The Weight of Temptation is also a novel of a closed society, and its dynamics. Half Lord of the Flies, half concentration camp -- but always with that veneer of harmlessness (patients are always free to leave, after all ...) and despite its mission of creating a more fit and better society -- The Reeds is indeed far from idyllic. If anything, The Weight of Temptation is too tame and, especially, sincere. Shua shies away from the sharpest edges of satire. Interestingly, too, the end of the novel allows for a resolution that gives everyone a way out (of sorts). As it turns out, the Professor failed to take into account the incarcerated children -- here (well, next door, essentially) because their parents sent them here -- when he claimed: "We're all adults here". Adults may accept that a stay at The Reeds is all about: "Learning to be adults" and willingly let themselves be coerced, but the kids have no say at all and so the same can't quite be expected of them. So while the adult-patients are somewhat amenable to learning how to become responsible for themselves, the children prove to be a bit more of a handful. The Weight of Temptation is fine, if a bit forced and pedestrian. It covers all the obvious points -- something Shua does quite well -- but there's no great leap of the imagination here. - M.A.Orthofer, 3 November 2012 - Return to top of the page - The Weight of Temptation:
- Return to top of the page - Argentinean author Ana María Shua was born in 1951. - Return to top of the page -
© 2012-2021 the complete review
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