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Our Assessment:
B : solid overview and introduction See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: David Tresilian notes the rather incredible statistics that between 1947 and 1967: only sixteen modern literary titles were translated from Arabic into English, this picking up to a further eighty-four between 1967 and 1988He writes of an increase -- to a veritable 'flood' -- of translations since then, but that is merely relative; certainly, however, there has been both increased availability and interest in writing from the Arab countries, especially since the beginning of the prolonged Anglo-American occupation of Iraq. Tresilian focusses on modern Arabic literature, and especially fiction -- despite the fact that poetry has the longer and greater tradition in Arabic literature. But it is prose narratives, more or less modeled on the Western novel, that tend to get translated and attract the most attention among English-speaking readers, so the focus is not entirely misplaced. He also warns straight off that he won't discuss (in depth) all Arabic literature, avoiding, for the most part, the Maghreb (Algeria, Tunisia, and Morocco) -- apparently because: the relationship between the Arabic and French-language material produced in the countries of the Maghreb is controversial, having to do with large issues of culture and identity, and there is a risk of caricature in discussing it in too confined a space.Tresilian offers a solid introduction to the first major authors from the Arabic nations (predominantly Egyptian ones), above all the central figure of Naguib Mahfouz, covering his varied work in appropriate detail (and helpfully noting its variety). Other early Egyptian masters get their due as well (such as Yahya Hakki and his The Lamp of Umm Hashim), as do authors such as Tayib Salih and Abdelrahman Munif -- and he does quite well, despite the space limitations, of, for example, conveying a complex career such as Munif's. Poetry does get some due, notably Adonis, but for the most part Tresilian does not delve too deeply here; he is on much surer footing with the prose. Moving forward he touches on many of the significant more recent authors and works, including Sonallah Ibrahim (e.g. Zaat), Gamal al-Ghitani (e.g. Zayni Barakat), and Edwar al-Kharrat. While the contemporary scene now offers almost too much to choose from, Tresilian's discussion of works such as Miral al-Tahawy's Blue Aubergine and Ahmed Alaidy's Being Abbas el Abd, as well as Alaa Al Aswany (The Yacoubian Building, Chicago) brings things up to date fairly well. Some of the Arab-specific issues that affect the local literature are also discussed, beginning with the significant linguistic question that is generally lost in translation, the difference between spoken and written Arabic (and the variations in the vernacular from country to country). Local cultural and political issues are also addressed, but with his pan-Arabic ambit he only goes into detail regarding a few of them -- a bit about the Palestinian situation and its effect on Palestinian writers, Egyptian politics. But it is adequate for such a small book -- and that's what one can say about the book as a whole: it's adequate, covering (or at least noting) much of what needs to be and should be covered, and providing a useful survey-overview in a very manageably-sized (and readable) book. A minor note: Tresilian mentions and discusses Pascale Casanova's "marvellously inventive" The World Republic of Letters, but refers only to the French edition, apparently unaware that it was translated into English several years ago; he also refers to Hisham Matar's In the Country of Men as The Season of Men -- an odd slip, since the book (and title) are originally English. - Return to top of the page - A Brief Introduction to Modern Arabic Literature:
- Return to top of the page - David Tresilian teaches at the American University of Paris. - Return to top of the page -
© 2008 the complete review
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