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Our Assessment:
B : interesting overview/analysis of an Indian film-career (though familiarity with Indian cinema, 1950-1990s, certainly helps) See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Helen: The Life and Times of an H-Bomb is not a personal biography of the iconic Indian film star Helen (born Helen Richardson), famed for her dancing (as song-and-dance numbers have always been a staple of almost all Indian films).
Author Jerry Pinto admits that, despite many efforts, he was unable to meet Helen or to ask her any questions (he: "never got past the household help"); she also did not leave much of a trail in the fan-magazines or popular press over the decades, so there's very little personal detail in this book.
Instead, Pinto offers a detailed look at her career in/on film, positioning her and the roles she filled within Indian cinema over the several decades of her unusually long career.
Her roles were generally incidental, sometimes irrelevant, often divertissements. Despite this, the same industry began to turn her into an icon.(Even the famed Merchant-Ivory team made a film documenting her fascinating career, Helen, Queen of the Nautch Girls (1973) -- which Pinto has some good fun criticizing.) Helen appeared in an extraordinary number of films -- a thousand or so, she says, and Pinto tracked down around five hundred of them -- in a career that lasted unusually long, as she made the necessary transitions that came with age (and remained a fit and excellent dancer). Pinto notes: At the height of her career, you couldn't see a film without seeing those famous legs.Pushed into film while still a teenager by her mother, Helen's dancing talents, and her 'otherness' helped establish her fairly quickly in the early 1950s. Her father was a Frenchman, her mother half-Spanish, half-Burmese, and so Helen could easily play the exotic 'Other' -- Anglo-Indian or entirely Western -- and Pinto does an excellent job of describing how the 'Other' has figured and been portrayed in Indian cinema over the decades, using Helen's many roles as examples. (The rare foray into blackface fortunately did not catch on .....) Focusing on the films and Helen's roles in them, Pinto offers an impressive history of much recent Indian cinema -- not via its landmarks (though these get some mention to), but rather in following the general trends, shifts, and changes over the years, of what was permissible, what was looked for. In a sense, Helen was a fringe-player -- rarely the (traditional Indian) heroine or romantic lead, but rather a challenge, tease, or seductress that might threaten traditional expectations or demands (but, of course, ultimately never truly upended them). Pinto goes over a great deal of film-material here; much will be familiar to Indian readers but likely prove bewildering to those not steeped in Hindi cinema. Many of these films can even be found on YouTube now; nevertheless, this is clearly a book more rewarding for those who come to it better-informed about the material. Even so, Pinto's discussion and insights are of interest even to those entirely unfamiliar with the films that are mentioned, as he focuses not only on specifics but also makes much broader arguments about various aspects of Indian cinema and society, using Helen as case-study. An interesting look at Indian cinema, culture, and society via this unusual figure, Helen is an engaging and quite enjoyable read. - M.A.Orthofer, 12 June 2014 - Return to top of the page - Helen:
- Return to top of the page - Indian author and journalist Jerry Pinto was born in 1966. - Return to top of the page -
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