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The Story of a Life general information | review summaries | our review | links | about the author
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Our Assessment:
A- : loose but effective memory-collection See our review for fuller assessment.
Review Consensus: - Return to top of the page - The complete review's Review: Aharon Appelfeld warns in his preface that: This book is not a summary, but an attempt (and perhaps a desperate attempt) to integrate the different parts of my life and reconnect them to the wellsprings of their being. The reader should not expect a sequential and precise account in this story of a life.The chapters include many clear and precise pictures and descriptions, but just as often Appelfeld acknowledges gaps and memories that are lost, confused, or still suppressed. Part of the fascination of the text is how he treats his memories, carefully bringing them to the fore, examining them, often reluctant to draw any conclusions as if that might alter this bit from the past, be it pleasant or ugly. The Story of a Life does broadly cover all of Appelfeld's life. There are scenes from before the war, of his happy childhood in Galicia, bits from the war -- the march to the camps, his escape and trying to get by in the Ukraine on his won, the people who took him in. The end of the war doesn't bring safety, instead there's the long odyssey to Italy, the unsafe camps there, until eventually he gets to Israel, with its strange language and very different conditions. The final chapters centre on the small community where he found himself a sort of home, the New Life Club, "established in 1950 by Holocaust survivors from Galicia and Bukovina" (but now closed). This is a book of memory, more than of memories, of how the mind -- this mind, subject to so many awful experiences -- is affected and how it preserves and recollects. The scenes are vital, and powerful in their relatively simple presentation, but it's the connexions, the memory-tapestry that defines identity, that is of greatest interest. Language itself poses a problem. Though raised in a multi-lingual environment, all these languages proved inadequate after the war: There were no words; the ones left over from home sounded hollow. Sometimes a man would appear and words would flow from his mouth. But the words he used were from before the war, and they sounded like coarse scraps, devoid of all taste.Coming to Israel he learned Hebrew, but it was a struggle, the language not coming easily to him. Eventually he would write his books in Hebrew; part of their power certainly lies in that awareness of it not being his natural tongue, but one acquired relatively late in life, a necessary replacement for the languages of his childhood. There are a variety of episodes in the memoir, Appelfeld describing some horrors in great detail and skimming over others, lingering over what might seem a small memory but is convincingly presented as a prominent (often for reasons Appelfeld himself does not understand) one. It is a short book, with much detail that might be of more obvious interest going unmentioned, and yet one gets a good sense of the man. And it is an interesting experiment in recollection: as Appelfeld writes: I've already written more than twenty books about those years, but sometimes it seems as though I haven't yet begun to describe them. Sometimes it seems to me that a fully detailed memory is still concealed within me, and when it emerges from its bunker, it will flow fiercely and strongly for days on end.Certainly recommended. - Return to top of the page - The Story of a Life: Reviews:
- Return to top of the page - Aharon Appelfeld was born in 1932. He lives in Israel. - Return to top of the page -
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