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Our Assessment:
B : appealing, if a bit limited See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
A Table for One is a café-memoir, as Aharon Appelfeld recounts his writing-life in Jerusalem by focussing on the cafés where he spent much of his time -- and did most of his work.
"Only in a Jerusalem café do I feel the freedom of imagination", he writes.
These sketches are by no means autobiographical, but are more a way of concentrating on one aspect of life: the place that Jerusalem has in my writing.The changes Jerusalem undergoes are mirrored in the changing faces of the cafés he haunts: when shortly after World War II they were still typically Central European and the languages spoken there just like 'back home', with time -- and the deaths of some of those close to him -- the cafés change too. Appelfeld touches on some personal details, especially his experiences during World War II, but it's striking how impersonal aspects of the book are. Suddenly, for example, he'll mention: "Marriage didn't change my habits" -- without having said anything heretofore about the woman who had become his wife. Instead, he focusses on his writing -- or rather on his steps towards becoming a writer -- offering small insights along the way, such as: "Kafka and Agnon were the authors that I loved, but I couldn't follow in their path" -- and then finding in Kleist "a writer from whom I could learn". Particularly interesting is how his own approach and understanding evolves -- thes sense, for example, that: The simple and the factual lead to truth. An excess of words can be a serious obstacle.Or: This was a time when I was impressed by people who had a way with words -- and was convinced that if I could only learn to express myself, my thoughts would also be more lucid. I didn't yet know that silence is preferable to speech; that words may delineate the framework, but that artistic expression lies between the words -- in the silence.In this respect, A Table for One is also Appelfeld's defense of his singular approach. Indeed, there are several scenes in which he faces critical commentary about his writing and books, such as Yitzhak Shehar's comment about his first novel, "Your Hebrew is still young" (and language (and facility with it) -- German, Yiddish, Hebrew, especially -- is a subject that also frequently comes up) . A Table for One ultimately feels a bit too careful -- those aren't silences, those are things that are left unsaid that hang over much of the book (everything from his wife, who makes only a small cameo appearance, to the Palestinian question) -- but still provides some interesting insight into the writer, as well as the changing face of Jerusalem (and, especially, its cafés) over the years. - Return to top of the page - A Table for One:
- Return to top of the page - Aharon Appelfeld was born in 1932. He lives in Israel. - Return to top of the page -
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