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Our Assessment:
B- : sincere but obvious business novel, of some cultural/sociological -- and little literary -- interest See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The central figure in Supermarket is Kôjima Ryôsuke, a young man with a promising career at a major bank who gives it up and takes up the challenge of working at his cousins' supermarket chain.
He starts there in 1969 and, while most of the novel centers on his early struggles to help run the business, the story continues to the mid-1970s (when the fruits of his labor are evident).
"It's beyond reasonable doubt. We've always suspected something fishy was going on -- we just didn't know what it was. It's like Kitô said: No matter how much profit we make, not one store has really gained the support of its customers. It's because of the falseness of the company.Supermarket is fascinating for the glimpse of Japanese business 'ethics' it affords. Kôjima is almost undone within the company when a rumor spreads that he -- a married man, though his wife is almost entirely absent -- has been sleeping with a secretary (a rumor that is false). Meanwhile, an employee who rapes another employee is barely even disciplined (much less reported to the police). And two male employees are blackmailed into keeping silent about (and then participating in) a criminal conspiracy by the threat of exposure of their homosexual affair; when they commit suicide the entire thing is hushed up, and barely any heads roll. The major rip-off that has been going on at the store is finally revealed, but that brings out into the open in what dire straits the company actually is: rather than turning a decent profit, the company is deep in the red. Kôjima's solution ? "We need to keep the truth from the president. That buys us time to come up with a strategy for getting the company back on the rails within the next few years. In other words, for the next five years, we have to feed the president misleading reports of the company's performance while we work to get the figures back into the black. With any luck we should be able to bring the true figures in line with the reports within five years."Not exactly textbook operating procedure, but in a world where any corporate malfeasance is hushed up -- god forbid the customer should know, since it would reflect badly on the company -- this is apparently par for the Japanese course. Azuchi is worker-friendly, and emphasizes how Kôjima's success stems from how he is able to make everyone feel that they are part of a large family, working for a common goal. Those who steal from the company aren't fired, much less charged -- it would reflect badly on the company to involve the police -- but Kôjima goes to great lengths to prevent the families of the homosexuals finding out about their sexual orientation (since that, apparently, is too shameful for them to possibly bear). And Kôjima stands up to the boss at the end because of his concern for his co-workers, outraged -- "It was a crime. It made no sense." (unlike rape, embezzlement, and cooking the books, which are apparently okay ...) -- that they put so much work into the company (like that wasn't what they were being paid to do ...) and then have to face ... oh dear, a change of ownership: Was it right that an owner should be free to sell out the people who had devoted five years of their lives to rebuilding the company ?Apparently not, in Kôjima's book (or rather Azuchi's -- whose own career is strikingly similar to Kôjima's). Meanwhile, Kôjima's family life barely rates a mention, his pregnant wife going off in a huff to live with her parents as soon as he accepts the new job (though apparently she does join him after a while). When his mother-in-law calls to let him know that he is now a father again he says he can't come visit: "I can't, I just can't right now. There are huge problems at work."But, touchingly: "November fifteenth," he said aloud. The least he could do was to try to remember his son's birthday.Don't count on him managing that ..... Azuchi does try to give the characters some personal lives -- Kôjima is tempted, and at least one happy union takes place (complete with child by the end of the novel), and the gay couple set up a household and everything, but theirs was a fairly tortured happiness and Azuchi did feel obligated to push them off a cliff ..... No, for the most part this is a workplace and business novel. Too crowded with the many actors -- from department heads to directors --, far too much of Supermarket remains superficial, even as far as the business goes. Azuchi himself seems to get bored: after subjecting Kôjima to a barrage of baptisms-by-fires he eventually just jumps ahead five years to come up with his semi-happy end, insisting the reader take his word for it that implementing everything was all easy enough and leaving the actual hard work unseen. Beyond its revealing look at Japanese business ethics and standards, and an admittedly decent narrative style -- workmanlike, at best, but it plods on well enough -- there's not much to recommend about Supermarket. A mediocre novel about Japanese business, Supermarket is also rather dated. The American publisher's jacket copy claims this is: "a perennial bestseller and modern classic in Japan", but times -- and the Japanese economy -- have changed, and one wonders about its current reception and status. One also wonders about how the hell this novel was published in the United States in 2009, almost three decades after it was first published in Japan. One reason is that it was: "specially selected for the Japanese Literature Publishing Project (JLPP)" -- i.e. the translation was overseen by the JLPP, and support provided to the American publisher of the book (see also additional titles from the JLPP under review at the complete review). Two decades ago this might have been a reasonable selection (despite being set in the late 1960s and early 1970s), given the interest in the economic powerhouse that Japan was becoming, and in its business practices -- and, in fact, close to two decades ago, in 1991, the University of California Press did bring out a similar 'Tale of Corporate Japan' by Azuchi (writing under his real name, Arai Shinya), Shoshaman (see their publicity page, or get your copy at Amazon.com or Amazon.co.uk). Shoshaman doesn't seem to have had much resonance, and times have changed, even in Japan ... so why, eighteen years on, publish this ? Supermarket is a curiosity that is probably worth having available in English; one can never have enough examples of foreign novels, especially from a major market from which so little is translated. But why is the JLPP wasting valuable and limited resources on an outdated book ? Couldn't they support truly contemporary novels that describe how Japan is dealing with the economic crisis the country has been mired in for so many years now ? Wouldn't we all rather be reading those ? (Because I'm pretty sure pretty much no one is reading this.) - M.A.Orthofer, 15 October 2009 - Return to top of the page - Supermarket:
- Return to top of the page - Japanese author Azuchi Satoshi (安土敏; actually: Arai Shinya (荒井伸也)) was born in 1937. He is also a business executive. - Return to top of the page -
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