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Our Assessment:
B+ : powerful, creative urban portrait, though some of its power sapped by its resolution See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The central figure in Isle of Dreams is Shozo Sakai, a widower in his fifties who lives in the construction-booming Tokyo of the 1980s.
He works for a construction firm, too, and enjoys wandering around and watching the changing cityscape.
One weekend he heads out to Harumi Wharf, for the spectacular view of the city from there, the first of a series of adventures to 'isles of dreams', artificial islands in various states that lead him to reflect on the shifting nature of Tokyo ("Tokyo lives", it dawns on him at one point) -- and of reality.
Had Tokyo's neighborhoods become such dreadful places that it was only here, on this artificial island, that these children could act out their fantasies ? It was, after all, he and his contemporaries who had produced that same metropolis.The isles he visits are increasingly removed from the city proper. One is the area beyond Reclaimed Land Site #13, a landfill in the process of being filled that will eventually serve as the foundation for more expansion of the city. As Shozo explains to a colleague who arranges for him to visit the area: But recently I've had the strange feeling that I need to verify some sort of starting point. We've been working like madmen for thirty years. Who are we, and what have we been doing ?Eventually he winds up in an even more isolated spot, among the rotten remains of an old, deserted outpost in the bay from the time when Admiral Perry arrived to open Japan to foreign trade, a symbolic place (in a variety of ways) that is an intersection (and nightmarish vision) of Tokyo's past and its future. Along the way, Shozo encounters a mysterious woman, Yoko Hayashi -- and a woman whom he takes for her sister (but each denies she has a sister ...). One straddles a huge motorcycle which she races at high speed, the other is an artist who creates window-displays; Shozo is fascinated by these elusive, split personalities and repeatedly seeks them out; they, in turn, help him expand his horizons. Hino masterfully conveys the different city- and landscapes, right down to the harrowing final island scenes. Shozo's receptiveness to more down-to-earth experience -- in a world where "earth" is hardly stable, and much of it reclaimed from the detritus of the (often very recent) past -- makes for an evocative and quite powerful vision of urban growth and decay, and how vicious and immediate that cycle can be. The woman complicates matters: a useful, intriguing mystery figure, Hino demystifies too much in the conclusion, wrapping up his story too conventionally neatly and thereby undermining even the strong touches he offers there (such as the image that: "in his eyes Tokyo was mirrored -- upside down"). Nevertheless, the novel, and its vision, is a haunting one. - M.A.Orthofer, 17 May 2011 - Return to top of the page - Isle of Dreams:
- Return to top of the page - Japanese author Hino Keizo (日野 啓三) lived 1929 to 2002. - Return to top of the page -
© 2011-2021 the complete review
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