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Our Assessment:
B+ : downcast but quietly powerful story set in postwar Japan See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Floating Clouds centers around Koda Yukiko, a young Japanese woman who, at age twenty-two, went to work as a typist in Dalat, in the Vietnamese highlands (then still French Indochina), in 1943 and was then repatriated at the end of the Second World War.
One reason she took the posting was to escape the household in Tokyo she had been living in for three years, that of Iba Sugio, the brother of her brother-in-law.
Though married to a beautiful woman, Sugio soon had his sights on Yukiko and began to regularly violate her.
She went along with it, but seems to have been very ambivalent about the relationship -- practically treated like a prostitute by Sugio, but hardly fighting it.
"He was such a great patriot -- honest, straightforward."Set mainly in defeated Japan right after the war, Floating Clouds is itself a novel of defeat. Yukiko's occasional plans and ambitions are small and limited. She lives as if in a daze -- "Not knowing what would happen tomorrow, living in what amounted to a shack -- this was her real life". She is fairly independent, but also returns repeatedly to the men from her past. She can not free herself from the hold Tomioka has on her, but she seems almost disgusted by her desire, and she does not force herself on him; when other opportunities arise she takes them, too. He, too, seems ambivalent about their relationship but can't simply cut her loose. One New Year's they go away together. Tomioka toys with the idea of committing suicide together, a fitting way out, but instead he winds up having an affair with the young wife of a local (who will eventually follow him to Tokyo, desperate to escape this isolated place, with tragic results). But as Yukio can reflect later: They ought to have, and in a way they had, died in Ikaho.Their lives continue, together and apart. Iba Sugio goes into the religion business, becoming a leader in the 'Great Sunshine Religion' and earning good money from folks looking for any sort of spiritual support and reassurance (even of the most dubious sort) in these dark postwar years. Yukiko hooks up with him again, and finds herself living in greater (material) comfort, but even in these circumstances: Although her life was perfectly comfortable, Yukiko was in a perpetual state of emotional starvation.Eventually she betrays Iba and his church (though they can afford it) and she and Tomioka head for the hills, as it were -- Tomioka accepting an isolated island-posting far from Tokyo, family, and anyone they know. While still in Tokyo Tomioka complains: "Life in Japan was dreary, and he felt that he had been dragged back to it against his will". The final escape can't bring back the days of Indochina -- he's well aware that, for example, the boat that goes to the island isn't allowed to go any further, into international waters; defeated Japan is an island unto itself, the Japanese forced to stew in their own failure, unable to physically escape it. Tomioka, "sinking into the mindset of a complete vagrant" while still in Tokyo, cuts himself off from all who know him (and does nothing for his dying wife, for example), but his final escape with Yukiko also comes as too little, too late. (It can't come as a surprise that there is no happy ending here.) Floating Clouds putters along at an occasionally uneven pace (possibly due in part to the editing of the translation ? see note below), with the transitions in Yukiko's circumstances sometimes rather abrupt and the details of her day-to-day life not consistently detailed. Hayashi does use the characters' experiences in Indochina quite effectively: while they are defining experiences, she carefully doses how much she reveals, and when. Kano's role, in Indochina and especially back in Japan, feels a bit underdeveloped, but otherwise this stage in their lives (and its long-lingering aftereffects) is quite well-presented. The shift from a focus on Yukiko and her relationships (there's also a brief fling with an American soldier, for example) to a focus on Mr. floating cloud -- Tomioka -- in the final stages of the book feels a bit odd, too, but given the novel's dominant theme of adriftness is appropriate enough. Even in its oddly meandering way -- again: appropriate for a novel that means to show those adrift in postwar Japan -- Floating Clouds remains consistently compelling. There are occasional frustrations, especially in Yukiko's odd passivity regarding how men treat her as a sexual object (especially Iba and Tomioka), and one wishes some scenes had more convincing transitions, rather than just presenting: Yukiko, like a patient receiving a medical examination, let Tomioka do as he pleased. Soon they were sharing, without words, their secret memories and their deepest sorrows.While it feels awkwardly truncated throughout (whereby it's unclear whether this is Hayashi's doing, or just the translation), Floating Clouds is still a frequently surprising as well as powerful and moving work -- one that's deeply sad, but not completely gloomy. Quite impressive. [Note: A 'Note to the Reader' acknowledges that: "Where necessary, slight abridgment of the original text has been made." The 'necessity' of any abridgment seems rather questionable, the extent of the ... slightness unclear -- but note, for example, that (while it's difficult to compare across languages/page sizes/etc.) the French translation clocks in at nearly five hundred pages .....] - M.A.Orthofer, 14 April 2013 - Return to top of the page - Floating Clouds:
- Return to top of the page - Japanese author Hayashi Fumiko (林 芙美子) lived 1904 to 1951. - Return to top of the page -
© 2013-2021 the complete review
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