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Our Assessment:
B+ : passionate and sharp, but relentless See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The Banquet in Blitva is a trilogy, but, frustratingly, this English translation only includes two-thirds of it (Edward Dennis Goy claiming in his afterword: "despite their ending which leaves Nielsen up in the air (...), these two volumes form a unity and may be offered as such").
The first two parts were first published in 1939, long before the third part (1962), so there is some historic precedent; still, it seems a shame to only have the incomplete story.
For Barutanski, only a single thought existed: Blitva. (...) A fanatic, limited, blindly one-sided, undaunted, a typical gambler who put his all on a single card and won, throughout his life hje played the role of the love-sick troubadour who struck his mandolin beneath the balcony of his beloved Blitva.He cares little for the citizens of Blitva, or for anything much beyond the nationalist ideal. Firmly in power, he is now faced with some threat from an old schoolmate and former friend, Dr. Niels Nielsen, who, at the beginning of the novel, has written an open letter to Barutanski, clearly and angrily complaining about the foolishness of the leader's actions, past and present. The Banquet in Blitva focusses on the conflict between these two foes, Nielsen thrust into a political role he does not want to fill, and Barutanski trying to cling to power and his nationalist ideals at all cost. Blitvian culture, society, and politics are all described, in their absurdity and rigidity, as the two men move (and are moved) against each other. There are significant secondary characters, from Cardinal Armstrong, who has a pet monkey called Giordano Bruno (so-called simply "out of spite for the dignity of human intelligence !") to a frustrated and then suicidal artist, but most of the novel focusses closely on Barutanski and Nielsen. Krleza's style is penetrating and passionate, reflecting the self-obsessed and troubled states of mind of these two characters. There's tremendous detail, Krleza not satisfied with simple description but boring to the very depths of these beings -- with their physical and mental states reflecting also the external situation, as when he writes about Barutanski: And in all this and above all: his teeth were loose, his left eyetooth, his wisdom teeth, his two lower front teeth. His whole skull was loose. Blitva was loose. The international situation was utterly obscure. His physique in general, of late, showed a great mass of ailments. Something was happening to his appendix. His tonsils were rotten. His nerves were giving way.The conflict -- a battle for what Blitva might be, and for what role Barutanski and Nielsen might have in leading it to that point, and their personal struggles (with themselves and each other) -- is well-presented, and stories of life in general in Blitva (for everyone from artists to high society) give a good sense of this damaged Balkan state. There's also murder, as well as considerable political intrigue. The book is, however, relentless: not so much fast-paced as intense, and never letting up, making for a sometimes wearying read. Still, it's an interesting portrait of these characters and Blitva itself is a wonderfully terrible invention (far too real for comfort). - Return to top of the page - The Banquet in Blitva:
- Return to top of the page - Miroslav Krlea (1893-1981) was a leading Croatian author. - Return to top of the page -
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