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The Form of a City general information | review summaries | our review | links | about the author
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Our Assessment:
A- : varied, clever, appealing See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The title of this collection mourns that The Form of a City Changes Faster, alas, than the Human Heart, and in these 150 poems Jacques Roubaud does his part both to try to capture the city (Paris) and to capture its changes.
It is a collection full of shifts and variations, and while much of it is about what has been lost it also serves to preserve -- at least in brief verse -- that which has been (and will be) lost.
Adding another layer to the game, the collection is also part an answer to (or riff on) works by similarly Paris-obsessed (and fellow Oulipo member) Raymond Queneau.
Hell or Heaven, big deal !(It plays off Queneau's 1967 poem of the same name, in which he lamented the disappearance of two café -- Le Ciel and l'Enfer -- but took comfort "in the fact that there was still Nothing" (a third café, Le Néant).) Roubaud covers all of Paris, sometimes comprehensively in single poems such as 'Arrondissements' (a brief guide, as it were) as well as in sections on 'Reading the Streets' or an 'Inventory' with their variations on the more specific. Roubaud writes: "Today was a good day / Three times I was asked for directions", which conveys many of the joys present in the collection: the thrill of familiarity that allows him to show others the way, the pleasure of discovery he anticipates for them, as well as simply the pleasure of place and name, each one with its own connotations and memories. Throughout, Roubaud revels in place and language, as he enthuses about Paris in its parts and whole. He plays with form a great deal, offering many variations, from sonnets to prose poems to a variety of Oulipo-games. From lists of the places one can visit by Métro, "with a simple Orange Card 2 zones" ("Lutèce, Lyon, Mâon, Madagascar, Marocco, Martinique, Médoc, Meaux, Metz, Milano" etc. etc.) to very specific locales, Roubaud constantly surprises with his variations on his theme. And by offering so much variety the collection never dulls (indeed, it's a very lively one). Some of the wordplay does not translate readily (puns, specific references), but the translators have done a very good job of matching the feel of Roubaud's poems in English (and the endnotes help too) Very enjoyable, very appealing. - Return to top of the page - The Form of a City Changes Faster, alas, than the Human Heart:
- Return to top of the page - French author Jacques Roubaud was born in 1932. He has been a member of Oulipo since 1966. He is a professor of mathematics, and has published both poetry and fiction. - Return to top of the page -
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