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Our Assessment:
B- : effectively presented fluff See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: Someone I loved tells that familiar story: You love a man, you have two children with him, and one winter morning, you learn that he has left because he loves someone else. Saying he is sorry, that he made a mistake.That's what has happened to Chloé, and this is her account of some of the aftermath. It's hit her hard, and it's her father-in-law, Pierre, who thinks he knows what's best: he takes Chloé and the two little girls to their house in the country (leaving his baffled wife behind). It sounds like more of a recipe to force her to stew in her own juices and frustratedly try to keep the kids occupied, but the girls are easily pacified by cartoons on TV and the unlikely Pierre turns out (eventually) to be an accessible conversation partner who has quite a bit to say as well. Someone I loved is presented in short bursts -- of conversation and experience -- building up in the longer exchanges between Chloé and Pierre. Gavalda isn't one for colour commentary, she throws the dialogue on the page, offering a transcript of the spoken words with only hints of inflection and mood. The talk is far-ranging. There are lots of issues to be raised. Oddly, the behaviour of the son and husband, Adrien, isn't much spoken about: a few memories, yes, but the central act of abandonment is treated in almost cursory manner. Pierre was apparently a difficult father-figure, Chloé accusing him: "Listen to me, Pierre; for years I lived with a man who couldn't stand up straight because his father hadn't supported him correctly. When I met Adrien, he didn't dare do anything for fear of disappointing you. And everything he did disappointed me because he never did it for himself, he did it for you.Pierre seems to have realised some of the errors of his ways, indulging his grand-daughters now, and opening up to Chloé about his own youthful timidity -- and the love-affair he had. Indeed, his story dominates the book. Obviously it had ramifications for Chloé and Adrien's failed marriage, yet it's still an odd shift of emphasis, from the here and now to the past. Are there lessons here ? A lot is churned: "Are you sleepy ?"Ha, ha. Gavalda's novel is the epitome of the breezy read: one almost feels like one is brushing across the pages, getting a sweeping impression of family-saga and personal hurts. But it's all surface, with almost no depth. It's the talk one hears, in a bar or in a country home late at night, but without even a proper impression of the people involved it's ultimately very empty. It gives the impression of exposing to emotion, of uncovering truth, and yet after closing the book there's almost nothing left -- and it's clear there was almost nothing there in the first place. There are bursts that ring true, small scenes of the bewilderment that comes in the wake of such a life-changing event, for example, but it doesn't add up to enough. Gavalda's presentation is, in a way, effective. The quick-fire pace of constant shifts, the moodiness. Letting the spoken words stand on their own. It reads well -- or easily, at least. But it doesn't get you anywhere. Note: that admirably the American paperback original includes both the English and French text -- and it's an ideal book for those learning French to get some practice with. Something we'd like to see more of. - Return to top of the page - Someone I loved:
- Return to top of the page - French author Anna Gavalda was born in 1970. She has written several immensely popular works of fiction. - Return to top of the page -
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