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Our Assessment:
B- : way too long-winded See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
A Discovery of Witches is, for the most part (but, oddly, not quite the entire part) narrated by Diana Bishop, an academic specializing in the history of science who teaches at Yale and is doing research at Oxford's Bodleian Library when the story opens.
She is also a bona fide witch, descended from the Bishop family of Salem-witches fame.
Nevertheless, she tries her best to use witchcraft sparingly, if at all, trying to live as human-like as possible.
Diana's parents mysteriously died when she was seven, while in Nigeria, but she was raised in a witch-household, by her aunt.
This was not an ordinary palimpsest. The writing hadn't been washed away -- it had been hidden with some sort of spell. But why would anyone go to the trouble of bewitching the text in an alchemical book ? Even experts had trouble puzzling out the obscure language and fanciful imagery the authors used.Diana doesn't realize it immediately, but Ashmole 782 is a very special book -- and one that quickly attracts a lot of attention. In the following days, Diana finds all sorts of unwanted attention at the Bodleian: word quickly gets around that she's had a peek at the mysterious book, and lots of others have an interest in that. Among the interested parties: Matthew Clairmont -- a scientist at the university who, of course, is also a vampire. A fifteen-hundred-year-old one at that. Witches and vampires apparently don't mix very well, but Matthew takes on a protector role in the library, keeping the worst of the new-found attention at bay and trying to help Diana along. It turns out she has a special sort of connection to the book -- it revealed itself to her, when no one else has been able to glimpse it for ages -- and that makes her a very big target. Naturally -- and dangerously unnaturally -- Diana and Matthew fall in love, as much of A Discovery of Witches turns out to be a damsel-in-distress and knight-in-shining-armor sort of story. What with Matthew's blood-thirst (controlled, but always a threat) and despite their mutual liking of yoga, it's still not your everyday romance -- which also makes it kind of hard to work with. Even when they become a couple, it's ... different: "Did I miss something ?" I finally asked. "When were we married ?"Well, there you go ..... Aside from taking a 1500-year-old husband, Diana finds that her humdrum and all too human academic lifestyle has been rather upset in other ways, too. By glimpsing (if not yet unlocking) the secrets of Ashmole 782 she's unwittingly been drawn into something much, much bigger. Good, then, that she's (semi-)equipped to handle things: as Matthew observes/warns her: There's magic inside you, Diana, and it wants to get out, whether you ask for it or notJust how much magic is revealed ... by a DNA test (which also reveals not one but two genetic profiles, explaining some of her special powers ...), among other things. A sampling of her hair suggests she might have a few more special-even-for-witches powers -- "time-walking, shape-shifting, divination", too ..... (It's the timewalking that they decide to take advantage off in then continuing these adventures, as the sequel has them trying to get to the bottom of things in the past (familiar territory for Matthew, who has lived through this and so much more ...).) A Discovery of Witches has a somewhat promising premise (or two), what with the supernatural creatures who all rub one another the wrong way (and have considerable powers) and the unlikely lover-pair of Diana and Matthew. Harkness also quickly gets to the most interesting thing, the mysterious book and its mysterious secrets -- but she doesn't do nearly enough with that: everyone is interested in Ashmole 782, but it remains elusive, to say the least. (Diana's initial reluctance to pursue it and anything about it any further doesn't help.) With lots of other mysteries slowly revealed as well -- notably hints of something far more serious being behind the deaths of Diana's parents, as well as the possibility that vampires are "exhibiting signs of species deterioration" (i.e. dying out) -- as well as all sorts of confrontations and dark doings, A Discovery of Witches offers a bit of excitement. But the dialogue-heavy novel drags in many places, without nearly enough excitement along the way. Too paint-by-the-numbers -- you can practically see Harkness position her characters and conflicts on the chessboard and then go through the often predictable beginner's moves -- and with only some of the storylines of real interest, there's not nearly enough payoff here for all those pages. And it's only the first in a trilogy ..... There is some hope that the trilogy comes together eventually. Harkness' writing is basic but not bad, and even if she doesn't expect much from her readers (like that they'd know who Giordano Bruno was) she at least seems to have a decent sense of history, which comes in useful in this centuries-spanning saga. And while some of the touches feel forced -- the Oxford insights, Diana's rowing -- at least Harkness gives it a good old college try with some odd twists (yoga ?) which help liven things up a bit. And once the characters have settled in, and there's less need for explaining about these unusual creatures -- 'witches', 'vampires' -- that should help too. - M.A.Orthofer, 29 June 2012 - Return to top of the page - A Discovery of Witches:
- Return to top of the page - American author Deborah Harkness was born in 1965. - Return to top of the page -
© 2012 the complete review
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