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Our Assessment:
B : decent start to a series, even if the actual crime/investigation-part here isn't that impressive See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: Hotel Bosphorus introduces Kati Hirschel who, though she looks and seems German was actually born in Istanbul and, now in her early forties, has lived there again for the past thirteen years. As she explains: "I am an İstanbullu," I said. "The only place in the world where I feel at home is Istanbul. Maybe that's because Istanbul is the only place that has no objection to me being myself ...She speaks fluent Turkish, and she runs a bookshop that specializes in crime fiction. In Hotel Bosphorus she hears from an old friend from Germany, Petra, who has become a very successful actress. Now Petra is coming to Istanbul, to shoot her new film -- one which has a script by a top-flight talent, but is being directed by the distinctly B-class director, Kurt Müller. Müller winds up dead and Kati -- well, after all: I'd been reading crime fiction since my childhood, and selling it for the last three years. I was no longer just an ordinary reader. The time had come for me to offer my theoretical knowledge for the benefit of society.So she meddles, befriending the inspector on the case, and nosing around for information both in Turkey and Germany. Matters are complicated by the semi-sinister but very prominent local gangster family that is involved in the film-making, and Kati follows a variety of trails in trying to figure out who committed the crime. Eventually she puts all the pieces in place, in what turns out to be a rather elaborate scheme (that's part of a bigger crime). The crime-solving is rather pedestrian, and the crime feels a bit too conveniently assembled for fiction-purposes -- but Hotel Bosphorus isn't driven by the mystery part. Aykol's interest is in character and situations, specifically the Turk-who-is-not-a-real-Turk Kati and how she is treated by the locals (and the foreigners: the visiting Germans manage, of course, to make predictable fools of themselves). It's not quite a fish-out-of-water story -- and that's also where the appeal lies: Kati is supremely comfortable in her own skin, and in Istanbul, and it's for the others to deal with that, not her to worry about. That's a nice and welcome spin on the usual stranger-in-a-strange-land story, and Aykol manages it well. An appealing counterpart to Jakob Arjouni's mysteries, Hotel Bosphorus is fairly unexceptional, but a solid foundation for a series in which, one hopes, Aykol gets on surer footing with the mystery aspects. Aykol knows her Germany as well as she does Turkey, and Kati's background -- her father was a prominent criminal lawyer and Jewish (the reason why the family left Germany decades earlier, before returning in 1965) -- suggests there's a lot of potential here. Kati is an intriguing (if a bit flighty) protagonist, and in the (unfortunately far too popular) 'atmospheric (exotic-)locale thriller'-genre, Hotel Bosphorus can certainly hold its own regarding the atmospheric elements. - M.A.Orthofer, 30 June 2011 - Return to top of the page - Hotel Bosphorus:
- Return to top of the page - Turkish author Esmahan Aykol was born in 1970. - Return to top of the page -
© 2011-2021 the complete review
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