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Our Assessment:
B : solid story, well-handled See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
A Fine Line is the fifth in the series featuring Bari lawyer Guido Guerrieri.
He is forty-eight now, and a health scare at the beginning of the novel puts him in an even more reflective mood than usual, wondering about his life and his career.
It comes out of the blue, because Guerrieri is actually in very good shape for his age, still boxing -- not just at the gym, but with the punching bag he has in the middle of his apartment.
(There is a physical altercation in the novel, too, and though he gets bruised he shows he can -- for now -- at least hold his own against some young punks.)
Pierluigi Larocca wasn't just anybody. If the expression top of the class could be applied to anyone, that person was him.Indeed, it looks like he's in line to become: "the youngest president of the Court of Bari" when the current one steps down in a few months. Larocca has a problem: he thinks he's under investigation, for taking a bribe to affect the outcome of a case. He wants Guerrieri to look into it, and take the appropriate actions -- and Guerrieri does. Part of the appeal of the Guerrieri-novels is Carofiglio's detailed presentation of the workings of the Italian justice- and legal- systems -- which differ considerably (entirely, one is tempted to say) from the American one. Here, where the case involves possible judicial misconduct, procedure gets even more complicated. For one -- understandably -- the court in charge is elsewhere -- in Lecce, in this case. And part of the difficulty of handling such a case, especially in these early stages, is that the would-be accused hasn't been accused yet, so it's unclear exactly what they suspect him of and how the prosecutor intends to proceed. Though Guerrieri counsels his clients -- and especially Larocca -- patience, to see how things unfold, he is not one to stand completely idly by: he wants to plan his counter-moves before the other side has even revealed their moves. Guerrieri understands that knowledge and information are power -- and provide the upper hand. The prosecution, by not tipping its hand, would seem to have the advantage -- but Guerrieri has a very good PI, Annapaola, and through her is able to get his hands on all sorts of official and unofficial information. The case against Larocca is rather flimsy, as is, and Guerrieri is a very good lawyer. The courtroom showdowns are not much like those on American TV -- there's certainly more code-citing and procedural arguing that proves about as important as any actual testimony -- and not quite as exciting, but it's entertaining to see this different kind of legal process at work. Rather to his own surprise, Guerrieri finds himself blindsided. He finds himself put in a very uncomfortable situation by circumstances, demonstrating yet again that the legal system and the role of the lawyer make for an ethical minefield that can be difficult to navigate, especially for a straight-arrow like Guerrieri. Carofiglio presents all this very well -- and adds a bit of color with Guerrieri's personal life, from the lawyer's nostalgia about days gone by to his bookstore flirting (a nice touch: his friends' all-night bookstore (where Guerrieri lets himself be talked into buying Pierre Bayard's How to Talk About Books You Haven't Read)) to the budding affair with the (perhaps a bit too colorful) Annapaola. At times Carofiglio (and Guerrieri) try too hard to project a certain image, as when a friend observes about the lawyer: "You aren't a real intellectual."But though Guerrieri claims to have some rough edges -- as demonstrated also by his boxing hobby -- he's pretty polished, intellectually and otherwise. Here as elsewhere, Carofiglio prefers the direct approach -- telling, or having someone say, rather than showing -- but that speeds things along, and allows him to pack a lot into these less than three-hundred pages -- even with the verbatim transcripts on offer, documentary evidence of the law at work. He packs a great deal in -- and the way the novel moves across characters and events reflects real life (and work), in not focusing exclusively on just part of it, but rather also touching on the mundane and incidental as it also constantly comes up. As with the ease with which Guerrieri is handed the information he needs but which shouldn't really be accessible to him, much of the novel also serves up the issues -- and some of the answers -- to the reader all too easily. Still, there's enough thoughtful reflection here -- and enough engaging episodes -- to make for a solid, enjoyable read. - M.A.Orthofer, 9 May 2016 - Return to top of the page - A Fine Line:
- Return to top of the page - Gianrico Carofiglio was a prosecutor in Italy. He was born in 1961. - Return to top of the page -
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