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Our Assessment:
B : solid crime thriller of corrupt 1980s Argentina See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: Sweet Money is the second 'Inspector Lascano thriller', with 'Perro' Lascano recovering from a near-fatal bullet wound -- and wondering who his new-found protector is. It turns out to be the corrupt policeman Turcheli -- a man on the rise, about to be named chief of police, who understands that: The police force is a wonderful business opportunity, but in order fgor it to stay like that it's got to be minimally effective, it's got to be for real.Letting honest, competent cops like Lascano actually deal with crime is one way to do that, so Turcheli makes sure that Lascano -- who has been presumed dead -- is protected and nursed back to health, and can eventually go about his business again: the new chief needs some honest cops he can count on under him. Unfortunately, Lascano has some serious enemies -- which is why it's for the best that no one knows he's alive for as long as possible -- and even more unfortunately, so does Turcheli: he does not last long as chief. The chapters in Sweet Money focus on a set of different characters, rotating through them as their stories begin to overlap. The one the book begins with is Miranda, known as Mole, a big-time criminal who has served his sentence and gets released from prison. He tries to carefully adjust to the outside world again, but finds that he has to go for the big score sooner than he had hoped. Still, he sees an opportunity for a promising bank job -- "the heist to end all heists" -- and sets that in motion. It doesn't go down exactly as hoped, but there is certainly a lot of money involved -- and, of course, it's the battered but not completely broken Lascano that gets pulled into investigating it. As one of the characters notes: "Our past always catches up with us", and there are a lot of characters with a lot of baggage here. The setting -- a corrupted Argentina -- is vividly revealed in the many almost casual asides of lives ruined by it, from a doctor whose career is ruined because he won't perform an unsafe abortion when ordered to to the many who are basically innocent bystanders. Mallo's presentation includes the interesting stylistic quirk of setting much of the dialogue apart, in italicized sections in which the speakers are not identified -- who says what. So, for example: Is he dead ? Yes, Ma'am. You killed him ? No, Ma'am, he killed himself. Do you realize what you have done ? ... You should have killed him ... What ? You must be a heretic, that's why you don't understand. Excuse me, what should I understand ?Since he doesn't rely too much on dialogue, this can be quite effective; occasionally, however, it can get a bit confusing too. The middle book in a trilogy, Sweet Money is a solid thriller of a place and time, but it also floats a bit loosely between beginning and end. - M.A.Orthofer, 3 October 2011 - Return to top of the page - Sweet Money:
- Return to top of the page - Argentine author Ernesto Mallo was born in 1948. - Return to top of the page -
© 2011-2021 the complete review
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