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Our Assessment:
B : fine concept, well executed, but feels a bit strained even just at novella-length See our review for fuller assessment. The complete review's Review:
The Apology and the Last Days is an inspired spin on the usual tales of guilt and culpability.
It is presented as an apology and confession written by a man named, like his father before him and his son after him, Andrija Gavrilović.
He writes from his prison cell in (West) Germany at the end of the 1950s, where he is serving a fifteen-year sentence for murder, and he begins his account with an explanation of how he came to now write it in the first place.
Mr. Gruber had always been very good to me, was never a war criminal to me, and, as far as I know, never was a war criminal to anyone else.As to the question: "So why did you kill ?"Of course, there is a bit more to it than that, and Gavrilović does eventually explain the circumstances that led to his arrest for murder. He does so in a self-styled apology, which then makes up most of the novel. It is inspired by his reading of Plato's Socratic apology, as he finds in Socrates: "my brother in sorrow" and identifies with him and his fate. Gavrilović is a fairly simple person, admitting: "I'm not Socrates either. I have a few years of schooling and a head on my shoulders". He never finished school, but after a few years of simple laboring he applied for: "the noble job of a lifeguard" and was accepted. That became his career -- but the stretch of beach he watches over is one where no one ever seems to have the slightest problems; as years of experience teach him: "Even a brick wouldn't drown in this water". Even after fifteen years on the job, he's never been called on to save a single soul. Finally put to the test, after so many years on the job, he promptly fails hilariously and miserably. Only after his disgrace does his apparent moment in the sun come -- except, of course, that instead of redemption it turns out to be his darkest: saving Standartenführer Erich von Rüchter proves to be his (local) undoing. Upon learning who he has saved, Gavrilović just says: "That's nice," I said. "I didn't know that. He was the same to me as any other drowning person."His compatriots, of course, do not see it that way. A big newspaper story -- complete with picture -- about his heroic deed, as well as the medal he is (supposed to be) awarded for his deed do not help matters, either. As the war winds down and the Germans retreat, Gavrilović makes the fateful decision to throw his lot in with theirs, leading him to a new life in what became West Germany -- helped by the man he once had saved, who does quite well for himself, in his new identity. Gavrilović, on the other hand, with only his first name made slightly more Germanic, rechristened Andreas, can not reinvent himself as readily and remains largely true to his defeated self. And, eventually, it comes to the events that lead to the death for which he is charged with (and found guilty of) murder. It's a very clever spin on notions of guilt and culpability, but feels somewhat artificial and constructed in its telling -- a good idea that turns out to be just a bit better in theory than practice. Part of the problem is that Gavrilović isn't an ideal narrator as presented here -- not as a simpleton but nevertheless relatively simple. He is asked by the man investigating the murder: "What are you, Gavrilović: a philosopher or a fool ?"Pekić wants to have it both ways with his protagonist, presenting him as both philosopher and fool, which is already hard to pull off. And when you have to spell it out like this, and rub it in the readers' faces, that's probably a sign you're trying much too hard; it certainly weakens the impact of the narrative here. If not entirely successful, The Apology and the Last Days is still a fine and rewarding novella -- and an interesting minor part of Pekić's major œuvre. - M.A.Orthofer, 3 August 2012 - Return to top of the page - The Apology and the Last Days:
- Return to top of the page - Yugoslavian author Borislav Pekić (Борислав Пекић) was born in 1930. He moved to London in 1971, and died there in 1992. - Return to top of the page -
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