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Our Assessment:
A- : nice little meditation See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review: The premise of The Death of Napoleon is that the emperor did not spend his last years on St.Helena but rather escaped, leaving a double in exile in his place. The novella begins with the last stage of Napoleon making his way back to France, after a roundabout escape by way of Tristan de Cunha and Cape Town. Traveling as a deck hand, under the name of Eugène Lenormand, he has to humbly bide his time aboard ship -- but it's only a matter of time, as there has long been in place a: huge secret organization that had been prepared to propel him back into power, and which needed only one spark of his genius to be set in motion.So far everything has gone like clockwork, the elaborate plan with its many cogs surviving even the death, two years earlier, of the mathematician who had devised the "complex mechanism" of this gigantic scheme. The next step is the rendezvous that has been arranged for Napoleon when his ship docks at Bordeaux -- but travel-plans are changed and the ship bypasses that stop, heading on to Antwerp instead. Napoleon expects the masterminds behind the grand scheme will make the necessary adjustments, but Napoleon expects too much. Still optimistic, Napoleon imagines everything will fall into place again if he reaches Paris, so he sets out -- still incognito, of course -- for the French capital. A detour to Waterloo is too tempting to resist, with Napoleon finding history is already muddied here. He finds a haven in Paris, but his arrival coïncides with bad news: "The Emperor is dead", the double back on St.Helena inconveniently dying before the real Napoleon has opportunity to triumphantly reassert himself. Napoleon bides his time and looks for opportunities, but finds a world that, while needing a leader like him, has also moved on. His many skills come in handy in organizing the business of the woman who had taken him in, but he can't quite embrace the advice he's given: Believe me, just concentrate on making your fortune in watermelons and your future will be a thousand times more enviable than you can imagine.Napoleon can largely maintain his cover throughout -- only once is he recognized outright -- but his real-life identity is apparent enough to at least trigger something in many of those he has dealings with. He also encounters delusional Napoleons -- some more convincingly Napoleonic in appearance than he now is. Trying to reveal himself to the woman who has taken him in, her reaction is not so much one of disbelief as fear: disbelief is hardly necessary -- it's obvious to her he can't be the 'real' Napoleon -- but she fears for his mental state if he can make such an outlandish claim. Very nicely written and with a great deal of gentle humor, The Death of Napoleon is a charming story, its pathos not heavy-handed even as the tale resonates with considerable power. A meditation on identity, reputation, and history, it's a quite beautifully crafted little story. - M.A.Orthofer, 16 April 2015 - Return to top of the page - The Death of Napoleon:
- Return to top of the page - Belgian-born author Simon Leys (actually: Pierre Ryckmans) lived 1935 to 2014. - Return to top of the page -
© 2015-2021 the complete review
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