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Our Assessment:
A- : beautiful, deceptively simple novella of the First World War See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Jean Echenoz's 1914 is a novel about the First World War, and it covers the years 1914 through 1918; as French reviewers have noted, the French title -- 14 -- slyly alludes not only to the opening year of the war, but also to the fact that the book is Echenoz's fourteenth work of fiction.
This subtle wink is lost to the reader in (English) translation, but not that much else is in Linda Coverdale's fine rendering of Echenoz careful, elegant prose -- helped also by a few (but detailed) translator's notes explaining some of Echenoz's other allusions.
opening as it fell to lie forever alone at the roadside, facedown on the chapter entitled 'Aures Habet et non Audiet'.Echenoz's story isn't quite such an open book, but parts are served up like this beautiful image -- though Coverdale's explanatory note certainly helps here, too, as most readers won't have recognized the book (Victor Hugo's last novel, Ninety Three), much less the chapter (with its lovely opening, a lone old man, lost in a reverie -- "Il ne pensait pas; à peine songeait-il. Autour de lui tout était sérénité, assoupissement, confiance, solitude", etc.), much less their possible connection to Echenoz's story (though at least the chapter-title -- 'they have ears, but they hear not' (Psalms 115:6) -- is suggestive ...). So it's clear: Echenoz offers what looks just like surface -- in simple, straightforward prose, too -- but a lot lies underneath. 1914 centers on five young men from the same town, including the brothers Anthime and Charles. Sent to the front together, they do what they have to. At the request of his beloved, Blanche, favors are called in so that avid photographer Charles can serve in another capacity -- but the arbitrariness of war hits home for each of the five; they do not fare particularly well (and some fare very badly indeed). There's a remarkable calm to the book, even as Echenoz puts the readers in the middle of the most terrible fighting. Perhaps the single dominant feature of the novel is Echenoz's focus on showing the characters' ultimately resigned fatalism in adjusting to circumstances, regardless of how extreme (or mundane) these are. From dealing with Blanche's out-of-wedlock pregnancy to one of the characters being taken for a deserter, Echenoz presents a world numbed and overwhelmed by circumstances, but in which everything still slowly and inexorably advances, somehow. Repeatedly: "events did not turn out as expected". The war was expected to be done with in a matter of months; instead, normality and any sense of it continue to be suspended. Echenoz doesn't concern himself with any notions of heroism on the battlefield or elsewhere -- noting instead repeatedly how people (including Blanche's family's shoe-making company) take advantage of the situation for their own financial gain. For him it always amounts to the fact that people will do what they have to and what they can to survive and make the best of a situation -- with little concern for how these actions affect others. With fate always there to deal cruel and arbitrary blows it seems as good a philosophy as any in these circumstances. Barely a hundred pages, 1914 is nevertheless unhurried -- and surprisingly evocative, a rich novel of war and wartime that provides a surprising amount of insight. Echenoz's writing is as simple and seductive as ever, and he's fashioned a beautiful, strange story of that time. 1914 isn't your usual wartime-novel -- but it's a great take, and highly recommended. - M.A.Orthofer, 2 January 2014 - Return to top of the page - 1914:
- Return to top of the page - French author Jean Echenoz has won numerous literary prizes. - Return to top of the page -
© 2014-2017 the complete review
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