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Our Assessment:
B- : some fun, but unnecessarily outlandish See our review for fuller assessment.
Review Consensus: - Return to top of the page - The complete review's Review: In Big Blondes TV producer Paul Salvador is working on a project, a series about: tall blonde women in the movies, in the arts in general, and more broadly, in life. Their histories, their characters, their roles. Their specialties and their variations. Their whole significance in five-times-fifty-two minutes.The last episode is to be a case study, of "a bizarre tall blonde". The woman he has in mind is Gloire Abgrall, who, under the name Gloria Stella, enjoyed fleeting success and then notoriety a decade earlier. A teenage model, she recorded two 45s, one of which made it to number three on the hit parade, and was well on her way to some sort of stardom. But then her "lover-cum-agent" fell down an elevator shaft, and she was convicted of giving him the fatal push. After five years in jail she was released, and disappeared. And Salvador sets out to find her. He hires a detective agency to track her down. The first detective they send isn't very good. He does run into Gloire, but she still has a penchant for pushing men over cliffs and the like so that doesn't work out well. She realises someone is after her, and that confrontation can keep them at bay for so long, and so she makes a run for it. She goes to Australia and India, she has some wild adventures. Men get pushed, drugs and other goods get (ingeniously) smuggled, she gets followed -- but generally remains a step or two ahead of her pursuers. Eventually everyone gets pretty much what they want. Big Blondes is an odd book. Gloire isn't allowed to be simply pathological; instead, Echenoz saddles her with a creature named Beliard, "a skinny little brunette, about a foot tall". Readers are told: At best, Beliard is an illusion. At best he is an hallucination forged by the young woman's deranged mind. At worst, he is a kind of guardian angel, or at least can claim some kinship with that congregation. Let us envision the worst.Beliard conveniently (and inconveniently) pops up at times that are stressful for Gloire, but he's an annoying device who doesn't really serve his (fictional) purpose well. In a story filled with the bizarre, with wild adventures and encounters all across the globe, he's an unnecessary and unappealing complication. The novel shifts between a number of characters, from Salvador to Gloire to the various people on her trail, making for an often annoying lack of focus. In addition, there are strange shifts in tone in the writing itself, again to little end. The story begins in the second person, the opening sentence insisting: "You are Paul Salvador", but already three paragraphs later the reader is disembodied, and Salvador strolls off on his own ("Arriving particularly early that day, Salvador first walked around the large black and white building", etc.). It makes no sense and serves no purpose other than to irritate (and it's a game he repeats: "And the next day, you are someone looking for Paul Salvador" another chapter starts ...). There's a decent story buried in all this. Echenoz does some of the episodes very well, particularly Gloire's encounters with the various men she meets. But he twists the tale too forcefully, playing narrative games without much payoff and making for an ultimately disappointing read. (The book is also apparently meant to be funny, satirising pop culture, the idea of the blonde woman, the detective novel. Bits are funny, but clumps of it aren't, and the book doesn't work very well as satire.) (Translation may also be a problem throughout the book -- beginning with the title: the book is called Big Blondes, but in the text itself the expression (the nicely rhyming "grandes blondes" of the French title) is translated as "tall blondes".) - Return to top of the page - Big Blondes:
- Return to top of the page - French author Jean Echenoz has won numerous literary prizes. - Return to top of the page -
© 2004-2017 the complete review
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