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Our Assessment:
B : feels terribly autobiographical, but much of it quite fascinating See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
The young man at the center of A Room Where the Star-Spangled Banner Cannot Be Heard is Ben Isaac, and the novel describes his engagement with, and then immersion in the world of Japan.
Ben comes with considerable baggage, his American parents having divorced and his father now remarried to a Chinese woman.
After living with his mother in Virginia for several years Ben joins his father and his new family in Japan after graduating from high school, moving to Yokohama, where Ben's father works in the American consulate.
the Isaac clan saw this as an act of ethnic betrayal and cut ties with him completely. This too Ben learned from his mother. But he knew from personal experience that the sin of his father's transgression had been passed down to him.With his father working in the foreign service, Ben had been exposed to a variety of cultures in his childhood too. Like his father ("We're Confucian"), Ben is not defined by his Jewish roots ("I'm a Jew who doesn't dream of Israel"); unlike his Sinophile (and Chinese-speaking) father, however, the foreign culture that Ben is drawn to is the Japanese one. His father thinks Ben's ambitions are foolish: "No matter how much you learn to speak their language, in their eyes you'll always be like me: a dumb gaijin who can't speak properly and never wanted to. Even if you go the plaza in front of of the Imperial Palace and scream 'Long live the Emperor !' in perfect Japanese and slit your stomach open, you'll never be one of them."At university it is easy for Ben to still be the foreigner whom the English-students want to practice their English on, but he does make one friend, Andō, who shows no interest in speaking English and only speaks Japanese with him. Eventually, Ben chooses to immerse himself entirely into Japan -- an unusual leap that certainly raises eyebrows but that he is committed to. A Room Where the Star-Spangled Banner Cannot Be Heard does describe how Ben goes native, and much of the background that pushes him in that direction, but it still feels relatively sketchy, with many of the reasons and family dynamics mentioned, but few explored in greater depth. Ben's journey is, however, such an unusual one, that even in this limited form the story is quite a compelling one. Intensely focused on Ben, with others' reactions described but little effort made to consider what is behind them, A Room Where the Star-Spangled Banner Cannot Be Heard remains a very personal book, but does offer an interesting if essentially undigested presentation of a foreign culture and how it deals with this kind of foreign presence. The writing here is somewhat uneven, with some of the episodes too carefully constructed, and some of the sentences to sententious ("It sounded as if the Earth had been shot three times", he writes in concluding his description of Kennedy's Arlington funeral), but there's so much here that is unusual and enough of the story that is well-presented to make for a very intriguing read. The fact that this book was originally written in Japanese does make for a fascinating additional layer of cross-cultural commentary, as much of what Ben dealt with was trying to learn the language (both spoken and written) -- a journey that obviously also reads very differently in the original Japanese than the translated English; if nothing else, this book (the English version) should become a standard text in translation and theory classes. - M.A.Orthofer, 13 July 2011 - Return to top of the page - A Room Where the Star-Spangled Banner Cannot Be Heard:
- Return to top of the page - Levy Hideo (リービ 英雄; actually Ian Hideo Levy) was born in the US in 1950 but has lived abroad much of his life. - Return to top of the page -
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