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Our Assessment:
B+ : a cleverly twisted tale See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Journal d'Hirondelle is narrated by a man who identifies himself only by the pseudonym Urbain.
He acknowledges that he suffered a devastating heartbreak; overwhelmed by sorrow he eventually killed off any sense of feeling he had, committing a 'sensory suicide'.
Life starts anew for him then -- but it's a very different kind of life, as he becomes a cool and completely detached hit-man.
- Je suis ton père. Tun ne vas pas tuer ton père.Urbain's assignment gets completed, even if not exactly as planned. Checking the contents of the briefcase when he gets home, he finds the girl's diary ("journal intime" in the more suggestive French). Between that and an encounter with a swallow that strays into his apartment (the hirondelle of the title), Urbain again finds himself a changed man, as the deeply private text -- even if they only be teenage ramblings -- takes on symbolic meaning for him, so much so that he sees it as not a but rather the most sacred of texts. When it then came time to complete his mission and to hand over the contents of the briefcase Urbain didn't quite do what he was supposed to, holding onto the diary. Not surprisingly, this turns out to be a bad idea. Urbain does try to reinvent himself again -- going so far as to give his name now as 'Innocent' next time he's asked. Of course, it's too late for him by then -- but he does manage to turn his life around again, while also making the greatest of sacrifices. Journal d'Hirondelle is an admittedly odd little work. With a Radiohead soundtrack, it covers in yet new variations many of Nothomb's favorite themes. Here too there is a protagonist who gorges himself -- like many of Nothomb's creations, he winds up having an unhealthy (or at least abnormal) relationship with food -- and one without healthy relationships. (The sex is funky, too -- suffice it to say that Urbain admits: "L'érotisme onaniste n'était décidément pas une science exacte.") The pay-off works very nicely, however, as Nothomb brings things to a perfect (and perfectly Nothombian) conclusion in this creatively reflective work, an appealing affirmation of the primacy and value of the written word, all the more resonant for coming from an author known for her deeply personal texts (many remaining hidden in her drawers, as she claims only to publish one out of every four or so she's written). Yes, murder is presented far too casually here, Urbain is arguably too extreme a character (in all his extremes), and Nothomb doesn't give his victims -- even the teenage daughter -- a sufficient voice or presence. Yet even as so much is rather simplistic here, the story as a whole is surprisingly successful -- and affecting, too. - M.A.Orthofer, 11 February 2013 - Return to top of the page - Journal d'Hirondelle:
- Return to top of the page - Belgian author Amélie Nothomb was born in Kobe, Japan, August 13, 1967. - Return to top of the page -
© 2013-2024 the complete review
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