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Our Assessment:
B- : the forced playful style works for a while but can't sustain the novel See our review for fuller assessment.
From the Reviews: - Return to top of the page - The complete review's Review:
Delicacy is a romantic tale of sorts, as Natalie finds love, loses it, and finds it yet again.
It's a book in the mold of the fiction of Alain de Botton, or some Nick Hornby, short chapters (a total of 115 for the novel) that switch between narrative and things such as lists and incidental information -- which here includes everything from an imagined 'John Lennon's Discography If He Hadn't Died in 1980' to the French 'League 1 Soccer Scores the Evening Charles Understood Natalie Would Never Be Attracted to Him' to the 'Code for the Door to Markus's Building' (A9624) to the 'Ingredients for Risotto with Asparagus' (though the recipe itself is not on offer).
These off-beat titbits do help break up what would otherwise be an unbearably saccharin narrative, but, like most everything else here, they do feel a bit forced.
Actresses imagined by the director: Audrey Tautou as Natalie and Mélanie Bernier as Chloé.It's at least a slightly amusing variation on the laziest author-trick in the book (the general theoretical author-handbook, not this specific one, in which Foenkinos employs several lazier tricks, too): present a pre-conceived notion of a character to the reader, rather than trying to independently bring her to life. (Needless to say, too: Delicacy is being made into a film, directed by Foenkinos and featuring Audrey Tautou and Mélanie Bernier in those roles .....) So, Natalie works for a Swedish company, and perhaps the main reason she got the job was that the boss took a shine to her, even though she was married at that time. She continues to work there after the death of her husband, the boss continues to lust after her -- and another man enters the picture, too, with Natalie and him beginning an awkward and unlikely and yet obviously meant-to-be romance. Trying to come to terms with loss, workplace romance, and various jealousies -- notably that of the boss -- complicates matters, but ... well, they'll figure things out, right ? Character study and romance, Delicacy is as much about style as it is substance. Foenkinos does explore how to present such a story, and such characters, and some of this works reasonably well. He has a decent ear and while the humor falls fairly flat at least he has a reasonably light touch and doesn't take himself or his characters as seriously as, say, Anna Gavalda tries to (indeed, this novel also feels like Anna Gavalda-lite (as hard to believe as that concept might be ...)). There are a few odd efforts at being more substantial: Hopscotch, by Julio Cortázar, is a(n unlikely) point of reference, and there are observations such as: "The kiss was like modern art" (Kazimir Malevich's 'White on White' is cited in the next chapter, to explain what he means in case you didn't get it ...). More typical (and irritating) are simplistic broadest brushstroke descriptions such as: He was smiling with his least Swedish smile possible, almost a kind of Spanish smile.(Indeed, Foenkinos' use of Sweden, (supposed) Swedish character traits, and the various characters' attitudes towards Sweden ("I'd rather go to the unemployment office than to Sweden", one character insists) feels particularly forced and feeble.) Foenkinos aims for delicacy in Delicacy, and he manages in much of the writing and presentation -- but his touch isn't quite fine enough. There's an odd lack of confidence here, too -- at least that's what some of the (feeble) humor suggests: a perfectly fine thought such as: "He was sorry about having long legs; as regrets go, it certainly was a useless one" is undermined by the nonsensical footnoted addition: "There are no short legs for rent". Foenkinos is not without talent, and there's some appeal to parts of this romantic tale -- some successful scenes and interaction, some nicely-phrased passages. The whole, however, is a lot to take: despite the lightness of Foenkinos' touch, in sum it's like a sledgehammer-beating. Yes, it is very 'French' (in that Anna Gavalda sort of way) -- but there's a reason (indeed, surely that is the reason) why American publishers haven't leapt to publish this mega-bestselling author's books before ..... - M.A.Orthofer, 26 October 2011 - Return to top of the page - Delicacy:
- Return to top of the page - Bestselling French author David Foenkinos was born in 1974. - Return to top of the page -
© 2011-2021 the complete review
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